Dogmatists of all kinds — scientific, economic, moral, as well as political — are threatened by the creative freedom of the artist. This is necessari… - Rollo May

Dogmatism of all kinds — scientific, economic, moral, as well as political — are threatened by the creative freedom of the artist. This is necessarily and inevitably so. We cannot escape our anxiety over the fact that the artists together with creative persons of all sorts, are the possible destroyer of our nicely ordered systems. (p. 76)

While the daimonic cannot be said to be evil in itself, it confronts us with the troublesome dilemma of whether it is to be used with awareness, a sense of responsibility and the significance of life, or blindly and rashly.

The future does not consist of simply a state of time which is going to occur, but contains the element, “I will make it so.” Power is potentiality, and potentiality points toward the future: is something to be realized. The future is the tense in which we promise ourselves, we give a promissory note, we put ourselves on the line. Nietzsche's statement, “Man is the only animal who can make promises,” is related to our capacity to posit ourselves in the future. We are reminded here also of William James's fiat, “Let it be so.” The hopelessness of many patients, which may be expressed in depression, despair, feelings of “I can't,” and related helplessness, can be usefully seen, from one point of view, as the inability to see or construct a future.

When I fall in love, I feel more valuable and I treat myself with more care. We have all observed the hesitant adolescent, uncertain of himself, who, when he or she falls in love, suddenly walks with a certain inner assuredness and confidence, a mien which seems to say, "You are looking at somebody now." … this inner sense of worth that comes with being in love does not seem to depend essentially on whether the love is returned or not.