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" "When we observe a thing, we see too much in it, we fall under the spell of the wealth of empirical detail which prevents us from clearly perceiving the notional determination which forms the core of the thing. The problem is thus not that of how to grasp the multiplicity of determinations, but rather to abstract from them, how to constrain our gaze and teach it to grasp only the notional determinism.
Slavoj Žižek (born 21 March 1949) is a Slovenian sociologist, philosopher and cultural critic. Zizek is a known for his controversial public personality, use of "dirty humor", and complex philosophy that synthesizes the philosophies of Karl Marx, Hegel, and Jacques Lacan.
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My relationship towards tulips is inherently Lynchian: I think they are disgusting. Just imagine, aren't these some kind of--how do you call it? Vagina dentatas--dental vaginas, threatening to swallow you. I think that- that flowers are something inherently disgusting. I mean, are people aware what a horrible thing these flowers are? I mean, basically, it's an open invitation to all- to all- to- to all the insects and bees, "Come and screw me." You know? I mean, it's-- I think that flowers should be forbidden to children.
It is also crucial to bear in mind the interconnection between the Decalogue... and its modern obverse, the celebrated 'human Rights'. As the experience of our post-political liberal-permissive society amply demonstrates, human Rights are ultimately, at their core, simply Rights to violate the Ten Commandments. 'The right to privacy' — the right to adultery, in secret, where no one sees me or has the right to probe my life. 'The right to pursue happiness and to possess private property' -- the right to steal (to exploit others). 'Freedom of the press and of the expression of opinion' -- the right to lie. 'The right of free citizens to possess weapons' -- the right to kill. And, ultimately, 'freedom of religious belief' — the right to worship false gods.
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The source of totalitarianism is a dogmatic attachment to the official word: the lack of laughter, of ironic detachment. An excessive commitment to Good may in itself become the greatest Evil: real Evil is any kind of fanatical dogmatism, especially exerted in the name of supreme Good... Consider only Mozart's Don Giovanni at the end of the opera, when he is confronted with the following choice: if he confesses his sins, he can still achieve salvation; if he persists, he will be damned forever. From this viewpoint of the pleasure principle, the proper thing to do would be to renounce his past, but he does not, he persists in his Evil, although he knows that by persisting he will be damned forever. Paradoxically, with his final choice of Evil, he acquires the status of an ethical hero - that is, of someone who is guided by fundamental principles beyond the pleasure principle and not just by the search for pleasure or material gain.