The piano players were very important in the early days, and the great piano players were always on the East Coast; there never was anybody in the We… - Duke Ellington

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The piano players were very important in the early days, and the great piano players were always on the East Coast; there never was anybody in the West who could play two notes. (By West I mean ; in those days there was no other West to speak of, west of that.) , who was mainly a writer and had more music published than anyone else, played piano like one of those high school teachers in Washington; as a matter of fact, high school teachers played better jazz. Among other things, his rhythm was unsteady; but that's the kind of piano the West was geared up to. On the other hand, the piano players on the East Coast did the most impossible things. If you dig up the early piano rolls or records by , you will hear the most beautiful and perfect performances. was a giant of those days, too. It is one of my great regrets that when the Lion used to come up to my house I didn't have a recording machine so that I could preserve some of those early performances of his.

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About Duke Ellington

Edward Kennedy Ellington (April 29, 1899 – May 24, 1974) was an American jazz composer, pianist, and band leader. Although a pivotal figure in the history of jazz, in the opinion of Gunther Schuller and Barry Kernfeld, "the most significant composer of the genre", Ellington himself embraced the phrase "beyond category", considering it a liberating principle, and referring to his music as part of the more general category of American Music. TOC

Also Known As

Birth Name: Edward Kennedy Ellington
Also Known As: The Duke Dumpy
Alternative Names: Duke Elington Edward Kennedy "Duke" Ellington Mood Ellington
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Additional quotes by Duke Ellington

[Sights enabling musical inspiration] The memory of things gone is important to a jazz musician [...] Things like the old folks singing in the moonlight in the back yard on a hot night, or something someone said long ago. I remember I once wrote a sixty-four-bar piece about a memory of when I was a little boy in bed and heard a man whistling on the street outside, his footsteps echoing away. Things like these may be more important to a musician than technique.

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