This is the hardest stuff in the world to photograph. You need a three-hundred-and-sixty-degree lens, or something. You see it, and then you look dow… - Robert M. Pirsig

There is a perennial classical question that asks which part of the motorcycle, which grain of sand in which pile, is the Buddha. Obviously to ask that question is to look in the wrong direction, for the Buddha is everywhere. But just as obviously to ask the question is to look in the right direction, for the Buddha is everwhere.

A fragment comes and lingers from an old Christian hymn, "You've got to cross that lonesome valley." It carries him forward. "You've got to cross it by yourself." It seems a Western hymn that belongs out in Montana. "No one else can cross it for you," it says. It seems to suggest something beyond. "You've got to cross it by yourself."
He crosses a lonesome valley, out of the mythos, and emerges as if from a dream, seeing that his whole consciousness, the mythos, has been a dream and no one's dream but his own, a dream he must now sustain of his own efforts. Then even "he" disappears and only the dream of himself remains with himself in it.

It’s an old split. Like the one between art and art history. One does it and the other talks about how it’s done and the talk about how it’s done never seems to match how one does it.