Agnes Martin Quotes

It is commonly thought that everything that is can be put into words. But there is a wide range of emotional response that we make that cannot be put into words. We are so used to making these emotional responses that we are not consciously aware of them till they are represented in art work.

To live truly and effectively the idea of achievement must be given up. Put unsentimental piety first, turn your back on the world, and get on with it.

Inspiration comes from a clear mind. Right straight through. We have nothing to do with it.

To neglect your own mind, that's like to neglect your consciousness. That’s like to give up all hope of joy and happiness, really. You're the only one that can discover for you the meaning of anything. What it means to you. By that, I don't mean intellectual meaning. I mean, what it means, how it makes you feel. You have to see whether you really are happy or not. Whether you really are sad or not. And you have to investigate what goes through your mind.

It takes time, see. You finish painting the painting and then you turn it to the wall. I mean, you say, does it have it or doesn't it have it? If it doesn't have it, you throw it away, but if you think it has it, you turn it to the wall. And then when you have made some more work, then you turn them all over. And you, again, try to see exactly what it does mean and just exactly how effectively you have rendered this meaning.

You can't be in an unconscious state and paint. Because whatever is in your mind, and not the subject matter, but the feelings that you have related to that subject matter, is what you're going to paint. So, the beginning is not actually painting, you know. The beginning of painting is not you put down green, and then you like pink, and you put down pink.
Painting's not about that anymore than music is about this sound and that sound.. ..And it's something that drives you to expression. And it's irresistible.

To be an artist, you look, you perceive, you recognize what is going through your mind. And it is not ideas. Everything you feel and everything you see and everything that your whole life goes through your mind, you know. But you have to recognize it and go with it and really feel it.

Of course we know that an untroubled state of mind cannot last. So we say that inspiration comes and goes but really it is there all the time waiting for us to be untroubled again. We can therefore say that it is pervasive. Young children are more untroubled than adults and have many more inspirations.

Inspiration is pervasive but not a power.
It's a peaceful thing.
It is a consolation even to plants and animals.
Do not think that it is unique.
If it were unique no one would be able to respond to your work.

As I describe inspiration I do not want you to think I am speaking of religion.
That which takes us by surprise - moments of happiness - that is inspiration. Inspiration which is different from daily care.
Many people as adults are so startled by inspiration which is different from daily care that they think they are unique In having had it. Nothing could be further from the truth.
Inspiration is there all the time.

I used to look in my mind for the unwritten page
if my mind was empty enough I could see it
I didn't paint the plane
I just drew this horizontal line
Then I found out about all the other lines
But I realized what I liked was the horizontal line
Then I painted the two rectangles
correct composition
if they're just right

When I draw horizontals
you see this big plane and you have certain feelings like
you're expanding over the plane
Anything can be painted without representation

I painted a painting called 'Milk River' [in 1963] Cows don't give milk if they don't have grass and water
Tremendous meaning of that is that painters can't give
anything to the observer
People get what they need from a painting
The painter need not die because of responsibility
When you have inspiration and represent inspiration
The observer makes the painting

My work is anti-nature
The four-story mountain
You will not think form, space, line, contour
Just a suggestion of nature gives weight
light and heavy
light like a feather
you get light enough and you levitate

People think that painting is about color
It's mostly composition
It's composition that's the whole thing
The classic image-
Two late Tang dishes, one with a flower image,
one empty – the empty form goes all the way to heaven
It is the classic form – lighter weight.