British comic book author (born 1953)
Alan Moore (born 18 November 1953) is a British writer, most famous for his influential work in comic-books and graphic novels.
From: Wikiquote (CC BY-SA 4.0)
Pen Names:
Kurt Vile
Native Name:
Alan Oswald Moore
Alternative Names:
Curt Vile
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Jill de Ray
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Translucia Baboon
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The Original Writer
From Wikidata (CC0)
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Yes, there is a conspiracy, indeed there are a great number of conspiracies, all tripping each other up... The main thing that I learned about conspiracy theories is that conspiracy theorists actually believe in the conspiracy because that is more comforting. The truth of the world is that it is chaotic. The truth is, that it is not the Jewish banking conspiracy, or the grey aliens, or the twelve-foot reptiloids from another dimension that are in control, the truth is far more frightening; no-one is in control, the world is rudderless.
The K Foundation are interesting and lively, a good laugh and they mean it. They are very dedicated to their irrational ideas, which I am wholeheartedly in favour of. …There is an underground again. Probably kill it stone dead to call it that. But I get the sense that there is an underground again, it’s not as self-conscious as it was in the Sixties.
When you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there's always madness. Madness is the emergency exit. You can just step outside, and close the door on all those dreadful things that happened. Forever.
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If you take the idea of God in the Bible as a metaphor for any nascent, formative just-created intelligence, is that not how we all create the universe. We divide the firmament up from the waters of the abyss, and the key to how to do this is in the first line: in the beginning, there was the word. By giving sky one word, the ground into another, we break the universe down into manageable things that we can interact with through language.
KAPELA: Just look above you. Do you see? That is called the immense board of lights. And there is the Great Black and, strewn across it, small and surrounded and vulnerable and brave, there is the Great White.
COMMUTER: Oh. Oh, yeah. Of course. Hah. You know, that's perfect. That's really perfect. And the Great White... I mean, there's so much more black. A-are we losing?
KAPELA: No. Once there was only black. We are winning.
I think that storytelling and creation are very close to what the center of what magic is about. I think not just for me, but for most of the cultures that have had a concept of magic, then the manipulation of language, and words, and thus of stories and fictions, has been very close to the center of it all.
Our integrity sells for so little, but it is all that we really have. It is the very last inch of us. But within that inch, we are free... An inch; it is small, and it is fragile, and it is the only thing in the world worth having. We must never lose it or give it away; we must never let them take it from us.
I can deal with functionality on a practical level. And I still have this relationship with this imaginary snake. My imaginary pal. If I’m going to be dealing in totally imaginary territory, it struck me that it would be useful to have a native as a guide. So I can have my imaginary conversations with my imaginary snake, and maybe it gives me information I already knew in part of myself, and maybe I just needed to make up an imaginary snake to tell me it.