English occultist (1875–1947)
Aleister Crowley (12 October 1875 – 1 December 1947), born Edward Alexander Crowley, was a British occultist, mystic, poet, and social provocateur, famous for his development of the philosophical system called Thelema, and his concepts of magic, which he called Magick.
From: Wikiquote (CC BY-SA 4.0)
Pen Names:
H. D. Carr
Also Known As:
the Beast 666
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Master Therion
Alternative Names:
Edward Alexander Crowley
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H.D. Carr
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Therion
From Wikidata (CC0)
There is beauty in every incident of life; the true and the false, the wise and the foolish, are all one in the eye that beholds all without passion or prejudice: and the secret appears to lie not in the retirement from the world, but in keeping a part of oneself Vestal, sacred, intact, aloof from that self which makes contact with the external universe. In other words, in a separation of that which is and perceives from that which acts and suffers. And the art of doing this is really the art of being an artist. As a rule, it is a birthright; it may perhaps be attained by prayer and fasting; most surely, it can never be bought.
Until you've got your mouth full of cocaine, you don't know what kissing is. One kiss goes on from phase to phase like one of those novels by Balzac and Zola and Romain Rolland and D. H. Lawrence and those chaps. And you never get tire. You're on fourth speed all the time, and the engine purrs like a kitten, a big white kitten with the stars in its whiskers.
I thought I would stand myself a little dinner. I hadn't quite enough sense to know that what I really wanted was human companions. There aren't such things. Every man is eternally alone. But when you get mixed up with a fairly decent crowd, you forget that appalling fact for long enough to give your brain time to recover from the acute symptoms of its disease - that of thinking.
The so-called poet with his vague dreams and ideals is indeed no better than a harmless lunatic; the true poet is the worker, who grips life's throat and wrings out its secret, who selects austerely and composes concisely, whose work is as true and clean as razor-steel, albeit its sweep is vaster and swifter than the sun's!
Then saith the prophet and slave of the beauteous one: Who am I, and what shall be the sign? So she answered him bending down, a lambent flame of blue, all-touching, all-penetrant, her lovely hands upon the black earth, & her lithe body arched for love, and her soft feet not hurting the little flowers: Thou knowest! And the sign shall be my ecstasy, the consciousness of the continuity of existence, the omnipresence of my body.
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"Every individual has some qualities that endear him to some other. And per contra, I doubt if there is any class which is not detestable to some other class. Artists, police, the clergy, "reds," foxhunters, Freemasons, Jews, "heaven-born," women's clubwomen (especially in U.S.A.), "Methodys," golfers, dog-lovers; you can't find one body without its "natural" enemies. It's right, what's worse; every class, as a class, is almost sure to have more defects than qualities. As soon as you put men together, they somehow sink, corporatively, below the level of the worst of the individuals composing it. Collect scholars on a club committee, or men of science on a jury; all their virtues vanish, and their vices pop out, reinforced by the self-confidence which the power of numbers is bound to bestow."
"The Magician should devise for himself a definite technique for destroying "evil." The essence of such a practice will consist in training the mind and the body to confront things which case fear, pain, disgust, shame and the like. He must learn to endure them, then to become indifferent to them, then to become indifferent to them, then to analyze them until they give pleasure and instruction, and finally to appreciate them for their own sake, as aspects of Truth. When this has been done, he should abandon them, if they are really harmful in relation to health and comfort."