Sappho isn't really meant to be read. It's meant to be sung and there were dances for the songs, also. Sappho was a performance artist, and now she exists as a textual project. She was saved by her critics, and by people who wrote of her in letters to each other. As the morning sun lathers the pool through the long windows and stripes the opposite walls in gold, I look at the fragment translations. She's paper, too. A paper poet for a paper boy. People claim to be translating her but they don't, really, they use her to write poems from as they fill in the gaps in the fragments. A duet. She may have meant for these to be solos but they're duets now, though the second singer blends in with the first. The first singer in this case is offstage, like in the old days of stars who couldn't sing, a real singer hidden behind a curtain, which is the velvet drape of history.

I have been reading about the Neutron Bomb. I want to be like that, radiant and deadly, a ghost of an impact, to pass through walls, to kill everyone, in flight among the empty houses, punching through molecules like a knife through a paper bag.

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The weight of him pressed me out. I felt covered, safe; something dark in me retreated and, for what felt like the first time in the arms of a man, I felt safe. I was still me — the switch was not flicked, but the terrible feeling haunting me then didn't reach me. Which is one of the things that love can feel like. Peter stayed there for some time. He may have fallen asleep at some point. And so it is that when I hear stories of how thin he became, I can't reconcile them with the weight of the boy who pinned me to myself, made me feel the place in me where I attached to the world.

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...the only things you must have to become a writer are the stamina to continue and a wily, cagey heart in the face of extremity, failure and success.

I think you can never know what you can live without. I think you can never know what you will live through. Only when the disaster arrives and you are there does the depth of your real inner resources reveal itself, and not a moment before

Most people misunderstand the crime of sexual abuse. They think of stolen youth, a child tucked under the arm and spirited away. But it isn’t like someone entering your house and stealing something from you. Instead, someone leaves something with you that grows until it replaces you. They themselves were once replaced this way, and what they leave with you they have carried for years within them, like a fire guarded all this time as it burned them alive inside, right under the skin. The burning hidden to protect themselves from being revealed as burned. You imagine that the worst thing is that someone would know. The attention you need to heal you have been taught will end you. And it will — it will end the pain you have mistaken for yourself. The worst thing is not that someone would know. The worst thing is that you might lay waste to your whole life by hiding.

It was said she mourned her beauty, which people still spoke of as of a vanished champion from another age. She had buried herself alive in public, on

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Had he himself ever felt Korean inside, for example? How would he know? Wouldn’t it just feel like . . . himself? Whatever he’d felt, it was probably not what Scott felt. But also, he was Korean American, not Korean, a distinction he had never been able to explain sufficiently to the white people in his life so far,

Writing is work. Anyone can do this, anyone can learn to do this. It's not rocket science; it's habits of mind and habits of work.

Reading teaches me the answers to the problems I haven't had yet, or to problems I didn't even know how to describe. And when I feel less alone with what troubles me, it is easier to find solutions. A book to me is like a friend, a shelter, advice, an argument with someone who cares enough to argue with me for a better answer than the one we both already have. Books aren't just a door to another world-each book is part of a door to the whole world, a door that always has more behind it.

a woman with a lover’s impatience with the whole world, a woman who feared when she did not get what she wanted that it meant she was not loved by creation itself; her need for success at seduction was like her need for dinner or breakfast.

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SCHOOL BEGINS IN August this year. I live nearby, and so I walk and skip the bus. I read while I walk to school up the two hills, one sidewalk, a more or less straight line. I pretend the streets I pass through are empty. I have been reading about the Neutron Bomb. I want to be like that, radiant and deadly, a ghost of an impact, to pass through walls, to kill everyone, in flight among the empty houses, punching through molecules like a knife through a paper bag. See me. I am five feet and two inches tall. I am still thin, freckled, large eyes, small nose. My hair waves and grows long, to my neck. I pick flowers for my mother as I walk. The neighborhood kids call me Nature Boy. I want to die.