French-born American author (1903–1977)
Anaïs Nin (Spanish pronunciation: [anaˈiz ˈnin]; 21 February 1903 – 14 January 1977), born Angela Anais Juana Antolina Rosa Edelmira Nin y Culmell, was a French-born author of Spanish, Cuban, and Danish descent who became famous for her published journals, which span more than sixty years, and for her erotica.
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Man can never know the kind of loneliness a woman knows. Man lies in a woman's womb only to gather strength, he nourishes himself from this fusion, and then he rises and goes into the world, into his work, into battle, into art. He is not lonely. He is busy. The memory of the swim in amniotic fluid gives him energy, completion. The woman may be busy too, but she feels empty. Sensuality for her is not only a wave of pleasure in which he has bathed, and a charge of electric joy at contact with another. When man lies in her womb, she is fulfilled, each act of love is a taking of man within her, and act of birth and rebirth, of child bearing and man bearing. Man lies in her womb and is reborn each time anew with a desire to act, to BE. But for a woman, the climax is not in the birth, but in the moment when man rests inside of her.
Things I forgot to tell you:
That I love you, and that when I awake in the morning I use my intelligence to discover more ways of appreciating you.
That when June comes back she will love you more because I have loved you. There are new leaves on the tip and climax of your already overrich head.
That I love you.
That I love you.
That I love you.
I have become an idiot like Gertrude Stein. That’s what love does to intelligent women. They cannot write letters anymore.
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We write to heighten our own awareness of life. We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment and in retrospection. We write, like Proust, to render all of it eternal, and to persuade ourselves that it is eternal. We write to be able to transcend our life, to reach beyond it. We write to teach ourselves to speak with others, to record the journey into the labyrinth. We write to expand our world when we feel strangled, or constricted, or lonely...When I don’t write, I feel my world shrinking. I feel I am in prison. I feel I lose my fire and my color. It should be a necessity, as the sea needs to heave, and I call it breathing.