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When I graduated from college, I sought out the cheapest rooms or apartments I could find. One of these put me next to a freeway interchange in Oakland California. The experience of living there, biking everywhere and reading the book The Power Broker by Robert Caro, changed my life and made me appreciate all the issues associated with transportation. I saw exactly how and why the freeway interchange gutted my neighborhood and how the main obstacle and danger to bicycling in urban areas was cars and drivers. This was the early 1990s when many people were waking up to these same issues. I participated in some of the first Critical Mass rides in San Francisco and the East Bay and started giving them my transportation cartoons for flyers and posters. I also discovered the (now defunct) “Auto-Free Times” and Alliance for a Paving Moratorium in Arcata, California and started sending them cartoons as well. By 1994 it had become a major theme in my work.

There are too many damn cars. I first recognized this in 1983, just after high school. A friend and I were unable to buy tickets for a rock concert on Long Island, New York, and had to sit outside the Nassau Coliseum for three hours, waiting for a ride home. Looking out, I saw seemingly endless parking lots surrounded by endless highways, streets and exit ramps, all of them filled with cars-thousands and thousands of cars. Amidst all this concrete, I couldn't see a single tree, a single bush or even a single blade of grass. Once I became sensitized to cars, I realized that almost everything in North America is centered around the automobile. This is true of architecture, urban planning, socializing and even the basic procurement of goods and services. We have become a society in which the simplest human gatherings, like going to hear music or see a sporting event, require thousands of motor vehicles and miles of asphalt. There are precious few places where you are not within sight or sound of a road.

Like the science fiction movie The Matrix, giving up your car unplugs you from the Matrix of American car culture. From birth, you are unconsciously lured into the car and lured into seeing the world from the viewpoint of a car windshield. Fortunately for me, my father liked bicycles and trains.

Images of cars and highways fill our literature, songs, movies and art, not just in America but worldwide. Books like "On the Road" by Jack Kerouac or "The Electric Kool-Aid Acid Test" by Tom Wolfe were among the first to romanticize driving and road trips. Old blues and early rock songs like "Route 66," "Brand New Cadillac," and "Goin' Mobile" further romanticized cars and highways for the postwar "Baby Boom" generation. Thousands of films and T.V. shows have focused on or predominantly featured cars and car chases: "Rebel Without a Cause," "American Graffiti," "Easy Rider," "Bullet," "The Dukes of Hazzard," the "James Bond" films, and at least half a dozen Burt Reynolds movies. The list goes on... All this pop culture, combined with relentless commercial advertising, has made cars an integral part of our personal identity. We have been taught to equate motor vehicles with wealth, power, romance, rebellion and freedom. Now, everywhere I go in the world, I see cars-millions and millions of cars-in Rome, Guatemala City, Kuala Lumpur, Bombay and Beijing. Everywhere there are huge traffic jams and poor air quality. The number of motor vehicles in the world is growing three times faster than the population.

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The Power Broker by Robert Caro is the most inspirational book I've ever read on the subject of transportation and urban planning …but I lived in New York City and knew many of the places and people he was talking about. I'm not sure if it would be as inspirational to others. The book won a Pulitzer Prize when it came out in the 1970s. Caro was a newspaper reporter who wanted to write a book about political power– how it was obtained and wielded and what role agencies played in government. In describing the life of Robert Moses, a highway builder, unelected state bureaucrat and creator of the modern “highway department,” Caro was able to describe (in a microcosm) the transportation and political history of America. Another great book is Ivan Illich's “Energy and Equity.”

What can ordinary people with busy lives and not a lot of political access do to address this stuff? You can try to address it in your own life. You can try to set up your life so you have to drive as little as possible. In so doing, you vote with your feet and your wallet. When more people bike, walk and use public transit, there is greater pressure on elected officials and government agencies to improve these modes of transportation. It thus increases the profitability of public transit and makes cities more desirable places to live. It also helps reduce your carbon footprint and reduces the amount of money going to automobile manufacturers, oil companies and highway agencies. In a globally connected capitalist world, cities and countries are competing for highly skilled labor—programmers, engineers, scientists, etc. To some degree, these people can live anywhere they want. So San Francisco or my current city in Minnesota aren’t just competing with other U.S. cities but are competing with cities in Europe for the best and brightest talent. Polls and statistics show that more and more skilled people want to live in cities that are walkable, bikeable and have good public transit. Also our population is aging and realizing that they don’t want to be trapped in automobile-oriented retirement communities in Florida or the southwest USA. They also want improved walkability and transit. Finally, there’s been an explosion of obesity in the USA with resulting increases in healthcare costs. Many factors contribute to this but increased amounts of driving and a lack of daily exercise are major factors. City, state and business leaders in the US are increasingly aware of all this. It is part of Gil Peñalosa’s “8-80” message (the former parks commissioner of Bogotá, Colombia) and many other leaders.

What are your main inspirations when drawing? The news, nature, other people, day-to-day events, music, sounds, art, everything is potentially inspirational. All you have to do is go outside, read a newspaper or watch contemporary television or movies. The cartoons write themselves!

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Cars are romanticized on television, in films and in popular music. There are thousands of songs, TV shows, and movies about driving, racing, road trips, and car chases. Just because something is romanticized, however, doesn't mean it's good for you. Alcohol, guns, drugs, and cigarettes are also romanticized in popular culture. But, like cars, they can be bad for your health or even deadly.

At some point, however, you must participate in the political process. There is no substitute for making major legislative changes. Meetings are no fun, but political power goes to those who are willing to sit through meetings. Your local zoning boards, community councils, and metropolitan planning organizations can have a big impact on urban design and transportation choices. I encourage people to pay attention to these organizations and become active on transportation issues.

For me, politics are a fundamental element of being human. They are the process by which we collectively interact with each other, resolve conflicts and try to solve larger social or environmental problems. There are family politics, neighborhood politics, local politics, national politics and international politics. Humans are political animals and I find those interactions interesting, amusing and important.