No les interesa la pintura. Catherine Guinness [véase Introducción] no se puso pesada hasta el último día, cuando empezó con esa cosa tan fastidiosa que hacen los ingleses de preguntar y preguntar: «¿Qué es exactamente el pop art?». Era como cuando entrevistamos a ese chico del blues, Albert King, para Interview, y ella le preguntó: «¿Qué es exactamente el soul?».

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I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do. Being born is like being kidnapped. And then sold into slavery. People are working every minute. The machinery is always going. Even when you sleep.

We went into the lunchroom and then the monk read something for twenty minutes while we ate our lunch - sour apple cider and lentil soup which tasted like canned to me but when I said so everyone just looked at me like I'm crazy, but - I think I know my soup.

A lot of people thought it was me everyone at the 'Factory' was hanging around, that I was some kind of big attraction that everyone came to see, but that's absolutely backward: it was me who was hanging around everyone else. I just paid the rent, and the crowds came simply because the door was open. People weren't particularly interested in seeing me; they were interested in seeing each other. They came to see who came.

Business art is the step that comes after art. I started as a commercial artist, and I want to finish as a business artist. Being good in business is the most fascinating kind of art. During the hippie era people put down the idea of business. They’d say “money is bad” and “working is bad”. But making money is art, and working is art - and good business is the best art.

But the desire to turn oneself into a multiple or machine is also a desire to be liberated from human feeling, human need, which is to say the need to be cherished or loved. ‘Machines have less problems. I’d like to be a machine, wouldn’t you?