British science fiction writer, inventor, and futurist (1917–2008)
Sir Arthur Charles Clarke (16 December 1917 – 19 March 2008) was a British author, inventor and futurist, famous for his short stories and novels, among them 2001: A Space Odyssey (1968), and as a host and commentator in the British television series Mysterious World. For many years, Robert A. Heinlein, Isaac Asimov, and Clarke were known as the "Big Three" of science fiction.
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If I may be allowed just three wishes, they would be these. Firstly, I would like to see some evidence of extra-terrestrial life. I have always believed that we are not alone in the universe. But we are still waiting for ETs to call us — or give us some kind of a sign. We have no way of guessing when this might happen — I hope sooner rather than later! Secondly, I would like to see us kick our current addiction to oil, and adopt clean energy sources. ... Climate change has now added a new sense of urgency. Our civilisation depends on energy, but we can't allow oil and coal to slowly bake our planet... The third wish is one closer to home. I've been living in Sri Lanka for 50 years — and half that time, I've been a sad witness to the bitter conflict that divides my adopted country. I dearly wish to see lasting peace established in Sri Lanka as soon as possible.
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"Bowman was aware of some changes in his behavior patterns; it would have been absurd to expect anything else in the circumstances. He could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness. / At first, needing the companionship of the human voice, he had listened to classical plays — especially the works of Shaw, Ibsen, and Shakespeare — or poetry readings from Discovery's enormous library of recorded sounds. The problems they dealt with, however, seemed so remote, or so easily resolved with a little common sense, that after a while he lost patience with them. / So he switched to opera — usually in Italian or German, so that he was not distracted even by the minimal intellectual content that most operas contained. This phase lasted for two weeks before he realized that the sound of all these superbly trained voices was only exacerbating his loneliness. But what finally ended this cycle was Verdi's Requiem Mass, which he had never heard performed on Earth. The "Dies Irae," roaring with ominous appropriateness through the empty ship, left him completely shattered; and when the trumpets of Doomsday echoed from the heavens, he could endure no more. / Thereafter, he played only instrumental music. He started with the romantic composers, but shed them one by one as their emotional outpourings became too oppressive. Sibelius, Tchaikovsky, Berlioz, lasted a few weeks, Beethoven rather longer. He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart. / And so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years."
Others, one suspects, are afraid that the crossing of space, and above all contact with intelligent but nonhuman races, may destroy the foundations of their religious faith. They may be right, but in any event their attitude is one which does not bear logical examination — for a faith which cannot survive collision with the truth is not worth many regrets.