a mass of ignorant, culturally degraded citizens easily becomes an immense drag on the system. They become easy prey to demagogues and applaud every attempt to undermine the foundations of that “natural liberty” which they have enjoyed in the first place.

In 1892 the Hungarian doctor and journalist Max Nordau published his Entartung (Degeneration), which he dedicated to Cesare Lombroso. Despite its size (almost six hundred pages), the book became an international bestseller and soon appeared in a dozen languages. Nordau had expanded the Lombrosian analysis to show that "degenerates are not always criminals, prostitutes … lunatics; they are often authors and artists." Charles Baudelaire and the French "decadent" poets, Oscar Wilde (Bram Stoker's original model for Count Dracula), Manet and the Impressionists, Henrik Ibsen, Leo Tolstoy, Emile Zola, as well as Wagner and Friedrich Nietzsche — all the leading lights of fin de siècle culture, in fact — came under Doctor Nordau's critical microscope. He concluded that they were all victims of diseased "subjective states of mind." The modern degenerate artist, like his criminal counterpart, lacks a moral sense: "For them there exists no law, no decency, no modesty." Emotionalism and hysteria, as well as that old disease of Romanticism, ennui , pervade their works and outlook, Nordau proclaimed, because of their enfeebled nervous state. "The degenerate and insane," he wrote, "are the predestined disciples of Schopenhauer."

For medieval thinkers, this was an eye-opening revelation. Side by side with divine truth, Averroës was saying, lay another truth, that of the natural world. This insight earned Averroës an admiration equaled by no other living non-Christian. It is why Dante praises him in his Divine Comedy and why Raphael gives him a prominent place in his School of Athens.

When the ruler or rulers failed to act in the people's interest, Buchanan wrote, then each and every citizen, even "the lowest and meanest of men," had the sacred right and duty to resist that tyrant, even to the point of killing him.

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Americans couldn't go to war: with 1.3 million German immigrants living in the United States, Zimmermann was fond of pointing out, plus another 10 million Americans of German descent, any military move against Germany would trigger a national uprising

Wilson. He was convinced he was "speaking for the silent mass of mankind everywhere who have as yet had no place or opportunity to speak their real hearts out concerning the death and ruin they see to have come already upon the persons and the homes they hold most dear." So, having spoken for mankind, Wilson left the podium.

The U.S. president's consent to the Versailles Treaty did more to damage his reputation among his fellow liberals than anything else he did that crucial year. It also sowed the seeds for a bitterness among Germans that would ripen into the political movement that led to Adolf Hitler and World War II.

Being "civilized" had originally meant living under Roman, or "civil," law; but at the dawn of the Renaissance it had come to denote a way of life and law distinct from that of barbarism. It included prohibitions against murder, incest, and cannibalism; belief in a transcendant creative divinity; respect for property and legal contracts; and essential social institutions such as marriage, friendship, and the family.

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Did Wilson suffer a stroke on that day in late April? The evidence strongly suggests he did. It may not have been severe enough to render him unable to attend meetings or to cause him to withdraw from public settings, but that he was physically and mentally a different man after the date seems indisputable. If it was a stroke, it would leave him impaired just when he most needed his strength.

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Villagers still worship at shrines dedicated to gods and goddesses with roots in the Stone Age.12 Compared to this unequaled staying power, the British Raj seemed very transitory — like every other ruler or conqueror in Indian history. Gandhi made his own view plain in 1909, in his Hind Swaraj. "History is really a record of every interruption of the even working of love or of the soul," he wrote, "a record of the interruption of the course of nature."

Albert Burleson, had already declared war on the Socialist Party by yanking second-class postal rates for a series of socialist-minded periodicals, including The Masses, the Milwaukee Leader, the New York Call, and the paper Trotsky had written for, the Forward.19