Top 15 Berthe Morisot Quotes

My ambition is limited to capturing something transient.

Music and painting should never be literary, a very subtle distinction according to Renoir. As soon as I try to represent an individual, their physiognomy and attitudes, I become a literary artist.

My dearest little Julie, I love you as I lie dying; I shall still love you when I am dead. I beg of you, do not cry; this parting was inevitable. I would have liked to be with you until you married – Work hard and be good as you have always been; you have never caused me a moment's sorrow in you little life [Julie is 16, then]. You have beauty, good fortune; use them well. I think the best thing would be to live with your cousins in the Rue de Villejust, but I do not wish to force you to do anything. Give a memento of me to you aunt Edma [Berthe's sister] , and to your cousins too; and give Monet's [painting] 'Bateaux en reparation' to your cousin Gabriel. Tell M. Degas that if he found a museum he is to choose a Manet [of her Manet paintings]. A keepsake for Monet; one for Renoir, and one of my drawings for Bartolomé. Give something to the two concierges. Do not cry, I love you more than I can tell you.

With what resignation we arrive at the end of life, resigned to all its failures on the one hand, all its uncertainties on the other, for so long I have hoped for nothing, and the desire for glorification after death seems to me an overblown ambition; my own ambition has been confined to a desire to fix something of all that passes, oh! Something, the least little thing, well! That ambition, too, is overblown.

I say, 'I should like to die', but that's not true at all, I should like to get younger.. ..youth and old age are similar in more ways than one, and they are the two moments in life when one can feel one's own soul which would be a proof that it exists.

I saw the passers-by on the avenue clearly and simply, in the way they are in Japanese prints [she saw some earlier, together with Mary Casatt in the 'Ecole des Beaux Arts', Paris]. I was thrilled, I knew definitely why I had been painting badly and why I would never paint that way again. I mean to say, I am fifty years old and once a year at least I have the same joy and the same hope.

Your phrase: 'I am working hard at growing old', is absolutely me. What if you were always to speak in my place..

I do not think any man would ever treat a woman as his equal, and it is all I ask because I know my worth.

Another stroll along the quays with Julie asking questions all the time. We stood for a long time examining the sun and the planet at a mapmaker's.. ..There in the Tuileries Gardens.. ..sitting down I began to ponder over my painting of the garden, watching the shadows on the sand and on the roof of the Louvre, and trying to find the relationship between light and shade. Julie saw pink in the light and purple in the shadows.

I have descended to the depths of suffering, and it seems to me that after that one cannot help being raised up. But I have spent the last three nights weeping. Pity! Pity! Remembrance is the true imperishable life.. .I should like to live my life over again, to record it, to admit my weaknesses; no, this is useless; I have sinned, I have suffered, I have atoned for it. I could write only a bad novel by relating what has been related a thousand times.

He [Renoir] is a subtle and brilliant draughtsman.. ..all these preliminary drawings [in Renoir's studio] would astonish the public who obviously imagine the 'Impressionists' work at tremendous speed. I don't believe one can go further [in making sketches as studies] than this in the study of form in a drawing. I am charmed by his 'Nude Bathers' quite as much as those by Ingres. He [Renoir] tells me that he thinks the nude is absolutely indispensable as an art form.

As I admired it [a red pencil and chalk drawing by Degas of a young mother, nursing her child] he showed me a whole series done from the same model and with the same sort of rhythm. He is a draughtsman of the first order; it would be interesting to show all these preparatory studies for a painting to the public, which generally imagines that the impressionists work in a very casual way. I do not think it possible to go further in the rendering of form.

Would you do us the great favour, you and Mademoiselle Geneviève, of coming to dine next Thursday? Monet will be there, Renoir also..

..scumbled froth.. ..capable of indicating a mouth, eyes, a nose with a single stroke of the brush, the rest of the face modeled by the perfect accuracy of these indications.

This project [an Impressionist exhibition in Paris] is very much up in the air. Degas' perversity makes it almost impossible of realization; there are clashes of vanity in this little group [of impressionists] that make any understanding difficult. It seems to me that I am the only one without any pettiness of character. This makes up for my inferiority as a painter.. ..the truth is that our value [of woman] lies in feeling, in intuition, in our vision that is subtler than that of men, and we can accomplish a great deal provided that affectation, pedantry and sentimentalism do not come to spoil everything.