American actress (1908–1989)
Ruth Elizabeth "Bette" Davis (April 5, 1908 – October 6, 1989) was a two-time Academy Award-winning American actress of film, television and theatre. Known for her willingness to play unsympathetic characters, she was highly regarded for her performances in a range of film genres; from contemporary crime melodramas to historical and period films and occasional comedies, though her best remembered films are romantic dramas. In 1999, Davis was placed second, behind Katharine Hepburn, on the American Film Institute's list of the greatest female stars of classic Hollywood cinema.
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Miss Bankhead isn't well enough known nationally to warrant my imitating her. (In response to accusations she imitated Bankhead in the role of Margo Channing in All about Eve. Bankhead resented Davis for the perceived imitation, which she considered mocking, and for portraying her Broadway Roles on film [Dark Victory, Jezebel, The Little Foxes]. This comment is unusual in that Davis usually tried to deflate the myth [started by Tallulah for amusement and publicity] of any sort of conflict between them, instead expressing her admiration for Bankhead. Similarly, when Bankhead was asked to do an imitation of Davis, she said "Why should I dahling, she's been imitating me long enough". Before candidly remarking "But really, it's been sheer coincidence that Bette's been playing the leading roles in films like Dark Victory. I really admire her very much.")
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My energies knew no bounds and I became more and more interested in civic causes, the first of which was The Tailwaggers. It was an organization that cared for abandoned and lost dogs. Its English progenitor had been started by the Duke of Windsor — now married to the lady at King’s Bench. A lifelong dog lover, I became president of the group and during my tenure of office we trained dogs for the blind. The work became infinitely satisfying and accomplished a twofold purpose. In order to raise money,
"Funny business, a woman's career. The things you drop on your way up the ladder — so you can move faster — you forget you'll need them when you go back to being a woman. That's one career all females have in common whether we like it or not. Being a woman. Sooner or later, we've got to work at it, no matter what other careers we've had or wanted. And in the last analysis nothing is any good unless you can look up just before dinner — or turn around in bed — and there he is. Without that you're not a woman. You're someone with a French provincial office — or a book full of clippings. But you're not a woman. Slow curtain. The end. (from "All About Eve")"
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