Boris Pasternak Quotes

Man in other people is man’s soul. That is what you are, that is what your conscience breathed, relished, was nourished by all your life. Your soul, your immortality, your life in others. And what then? You have been in others and you will remain in others. And what difference does it make to you that later it will be called memory? It will be you, having entered into the composition of the future.

As for the men in power,
they are so anxious to establish
the myth of infallibility that they
do their utmost to ignore truth.

A literary creation can appeal to us in all sorts of ways-by its theme, subject, situations, characters. But above all it appeals to us by the presence in it of art. It is the presence of art in Crime and Punishment that moves us deeply rather than the story of Raskolnikov's crime.

And so it turned out that only a life similar to the life of those around us, merging with it without a ripple, is genuine life, and that an unshared happiness is not happiness.

Will you feel pain? Do the tissues feel their disintegration? In other words, what will happen to your consciousness? But what is consciousness? Let's see. A conscious attempt to fall asleep is sure to produce insomnia, to try to be conscious of one's own digestion is a sure way to upset the stomach. Consciousness is a poison when we apply it to ourselves. Consciousness is a light directed outward, it lights up the way ahead of us so that we don't stumble. It's like the headlights on a locomotive - turn them inward and you'd have a crash.

Después de dos o tres estrofas compuestas con toda facilidad y de algunas comparaciones que lo sorprendieron, el don del trabajo se apoderó de él y advirtió la proximidad de lo que se llama inspiración. La correlación de las fuerzas que presiden la creación parecen tomar entonces la iniciativa. La prioridad ya no corresponde a su autor ni a su estado de ánimo, al que trata de dar expresión, sino al lenguaje con que quiere expresarlo. El lenguaje, del cual nace el significado y la belleza adquiere su ropaje, comienza de suyo a pensar y hablar y todo se hace música, no en el sentido de pura resonancia fonética, sino como la consecuencia y duración de su flujo interno. Entonces, lo mismo que la masa corriente de un río, que con su fluir limpia las piedras del fondo y hace girar las ruedas del molino, el lenguaje que fluye, va creando por sí, en su carrera, casi inadvertidamente con la fuerza de sus leyes, el metro y la rima y mil otras formas y relaciones más secretas, desconocidas hasta ese, momento, no singularizadas y sin nombre.
En aquellos momentos Yuri Andréivich se daba cuenta de que no era él quien llevaba a cabo el trabajo esencial, sino algo más grande que él, que por encima de él lo guiaba: la situación del pensamiento y la poesía en el mundo, lo que a la poesía le estaba reservado en el porvenir, el camino que ella tenía que recorrer en su desarrollo histórico. Él era solamenta una ocasión y un punto de apoyo para que ella pudiera ponerse en movimiento.

The rulers of your minds indulge in proverbs, but they've forgotten the main one, that love cannot be forced, and they have a deeply rooted habit of liberating people and making them happy, especially those who haven't asked for it. You probably fancy that there's no better place in the world for me than your camp and your company. I probably should even bless you and thank you for my captivity, for your having liberated me from my family, my son, my home, my work, from everything that's dear to me and that I live by.

Don't you see, we are not in the same position. You were given wings to fly above the clouds, but I'm a woman, mine are given me to stay close to the ground and to shelter my young.

Only the superfluous is sordid

And now listen carefully. You in others-this is your soul. This is what you are. This is what your consciousness has breathed and lived on and enjoyed throughout your life-your soul, your immortality, your life in others. And what now? You have always been in others and you will remain in others. And what does it matter to you if later on that is called your memory? This will be you-the you that enters the future and becomes a part of it.

There shall be no more death, Because we have already seen all that, Its old and we are tired of it, And now we need something new, And this new thing is Eternal Life

She has more names than petticoats.

An old Russian folk song is like water held back by a dam. It looks as if it were still and were no longer flowing, but in its depths it is ceaselessly rushing through the sluice gates and the stillness of its surface is deceptive. By every possible means, by repetitions and similes, the song slows down the gradual unfolding of its theme. Then at some point it suddenly reveals itself and astounds us. That is how the song’s sorrowing spirit comes to expression. The song is an insane attempt to stop time by means of its words.

Ordinarily, people are anxious to test their theories in practice, to learn from experience, but those who wield power are so anxious to establish the myth of their own infallibility that they turn back on truth as squarely as they can. Politics mean nothing to me. I don't like people who are indifferent to the truth.

February. Get ink, shed tears.
Write of it, sob your heart out, sing,
While torrential slush that roars
Burns in the blackness of the spring.

Go hire a buggy. For six grivnas,
Race through the noice of bells and wheels
To where the ink and all you grieving
Are muffled when the rainshower falls.

To where, like pears burnt black as charcoal,
A myriad rooks, plucked from the trees,
Fall down into the puddles, hurl
Dry sadness deep into the eyes.

Below, the wet black earth shows through,
With sudden cries the wind is pitted,
The more haphazard, the more true
The poetry that sobs its heart out.