Top 15 Bret Easton Ellis Quotes

That doesn't sound like...the Jayster.

I hear today's college women are 'prodigious.'
"Prodigious? Is that what you heard?"
"Well, I read it in a magazine. It was something I wanted to believe."
"The Jayster. Always a dreamer."

And now the missing Boy Scout inevitably provoked the flicker of worry I experienced every morning before Robby and Sarah went off to school, especially if the hangover was bad or I'd had too much coffee. This wide-awake nightmare lasted no more than thirty seconds, a rapid montage that nonetheless required a Klonopin: a rampage at the school, "I'm so scared" being whispered over the cell phone, what sounds like firecrackers popping off in the background, the ricocheting bullet that hurls the second-grader to the floor,the random firing in the library, the blood sprayed over an unfinished exam, the red pools of it forming on the linoleum, the desk spattered with viscera, a wounded teacher ushering dazed children out of the cafeteria, the custodian shot in the back, the girl murmuring "I think I've been hit" before she faints, the CNN vans arriving, the stuttering sheriff at the emergency press conference, the bulletins flashing on TV screens, the "concerned" anchorman offering updates, the helicopters hovering, the final moments when the gunman places the Magnum in his mouth, the overcrowded hospital emergency rooms and the gymnasiums transformed into makeshift morgues, the yellow crime tape ribboned around an entire playground - and then, in the aftermath: the .22 rifle missing from the stepfather's cabinet, the journal recounting the boy's rejection and despair, a boy who took the teasing hard, the boy who had nothing to lose, the Elavil that didn't take hold orthe bipolar disorder not detected, the book on witchcraft found beneath the bed, the X carved into his chest and the attempted suicide the month before, the broken hand from punching a wall, the nights lying in bed counting to a thousand, the pet rabbit found later that afternoon hanged from a hook in a small closet - and, finally, the closing images of the endless coverage: the flag at half-staff, the memorial services, the hundreds of bouquets and candles and toys that filled the steps leading up to the school, the bloody hand of a victim on the cover of Newsweek, the questions asked, the simple shrugs, the civil suits filed, the copycats, the reasons you quit praying. Still, the worst news comes out of your own child's mouth: "But he was normal, Dad - he was just like me."

You do an awfully good impression of yourself.

The stars are real.
The future is that mountain.

I'm Christian Bale", Russel, says, taking [her hand].
"Oh right," she says. "Yeah, I thought I recognized you. You're the actor.

She staggers over to the bathroom door and grabs the edge of it to balance herself and blood starts running down her legs in thin rivulets and when she lifts up the robe we both can see her underwear soaked with blood and she pulls it off, panicking, and suddenly a huge gush of blood expels itself from beneath the robe, splashing all over the bathroom floor.<p>She gasps, a thick noise comes out of her throat and she doubles over, grabbing her stomach, then she screams. Looking surprised and still clutching her stomach, she vomits will staggering backwards, collapsing onto the bathroom floor. There are strands of tissue hanging out of her.

I just had my makeup done, so you can't make me cry.

'As a general rule you shouldn't expect too much from people darling,' and then I kiss her on the cheek.

We'll slide down the surface of things...

Specks—specks all over the third panel, see?—no, that one—the second one up from the floor and I wanted to point this out to someone yesterday but a photo shoot intervened and Yaki Nakamari or whatever the hell the designer's name is—a master craftsman not—mistook me for someone else so I couldn't register the complaint, but, gentlemen—and ladies—there they are: specks, annoying, tiny specks, and they don't look accidental but like they were somehow done by a machine—so I don't want a lot of description, just the story, streamlined, no frills, the lowdown: who, what, where, when and don't leave out why, though I'm getting the distinct impression by the looks on your sorry faces that why won't get answered—now, come on, goddamnit, what's the story?

Well, though I know I should have done that instead of not doing it, I'm twenty-seven for Christ sakes and this is, uh, how life presents itself in a bar or in a club in New York, maybe anywhere, at the end of the century and how people, you know, me, behave, and this is what being Patrick means to me, I guess, so, well, yup, uh..." and this is followed by a sigh, then a slight shrug and another sigh, and above one of the doors covered by red velvet drapes in Harry's is a sign and on the sign in letters that match the drapes' color are the words THIS IS NOT AN EXIT.

My pain is constant and sharp and I do not hope for a better world for anyone. In fact I want my pain to be inflicted on others. I want no one to escape. But even after admitting this – and I have, countless times, in just about every act I've committed – and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing...

...there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed.

This was what I could understand, this was how I lived my life, what I constructed my movement around, how I dealt with the tangible. This was the geography around which my reality revolved: it did not occur to me, ever, that people were good or that a man was capable of change or that the world could be a better place through one's taking pleasure in a feeling or a look or a gesture, of receiving another person's love or kindness. Nothing was affirmative, the term "generosity of spirit" applied to nothing, was a cliché, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire – meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface was all that anyone found meaning in... this was civilization as I saw it, colossal and jagged...