Surprise becomes effective when we suddenly face the enemy at one point with far more troops than he expected. This type of numerical superiority is quite distinct from numerical superiority in general: it is the most powerful medium in the art of war.

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Ebenso ist die Eroberung von Provinzen eine andere Maßregel, wenn es nicht auf das Niederwerfen des Gegners abgesehen ist. In jenem Falle wäre die Vernichtung seiner Streitkraft die eigentliche wirksame Handlung und das Einnehmen der Provinzen nur die Folge davon; sie einzunehmen, ehe die Streitkraft zusammengeworfen ist, wäre immer nur als ein notwendiges Übel zu betrachten.

If we do not learn to regard a war, and the separate campaigns of which it is composed, as a chain of linked engagements each leading to the next, but instead succumb to the idea that the capture of certain geographical points or the seizure of undefended provinces are of value in themselves, we are liable to regard them as windfall profits. In so doing, and in ignoring the fact that they are links in a continuous chain of events, we also ignore the possibility that their possession may later lead to definite disadvantages.

If the wars of civilised people are less cruel and destructive than those of savages, the difference arises from the social condition both of states in themselves and in their relations to each other. Out of this social condition and its relations war arises, and by it war is subjected to conditions, is controlled and modified. But these things do not belong to war itself; they are only given conditions; and to introduce into the philosophy of war itself a principle of moderation would be an absurdity.

Force of character leads us to a spurious variety of it — OBSTINACY.

It is often very difficult in concrete cases to say where the one ends and the other begins; on the other hand, it does not seem difficult to determine the difference in idea.

Obstinacy is no fault of the understanding; we use the term as denoting a resistance against our better judgment, and it would be inconsistent to charge that to the understanding, as the understanding is the power of judgment. Obstinacy is A FAULT OF THE FEELINGS or heart. This inflexibility of will, this impatience of contradiction, have their origin only in a particular kind of egotism, which sets above every other pleasure that of governing both self and others by its own mind alone. We should call it a kind of vanity, were it not decidedly something better. Vanity is satisfied with mere show, but obstinacy rests upon the enjoyment of the thing.

What is here required from the higher powers of the mind is a sense of unity, and a judgment raised to such a compass as to give the mind an extraordinary faculty of vision which in its range allays and sets aside a thousand dim notions which an ordinary understanding could only bring to light with great effort, and over which it would exhaust itself. But this higher activity of the mind, this glance of genius, would still not become matter of history if the qualities of temperament and character of which we have treated did not give it their support.

Truth alone is but a weak motive of action with men, and hence there is always a great difference between knowing and action, between science and art. The man receives the strongest impulse to action through the feelings, and the most powerful succour, if we may use the expression, through those faculties of heart and mind which we have considered under the terms of resolution, firmness, perseverance, and force of character.

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We maintain, on the contrary, that war is simply a continuation of political intercourse, with the addition of other means. We deliberately use the phrase “with the addition of other means” because we also want to make it clear that war in itself does not suspend political intercourse or change it into something entirely different. In essentials that intercourse continues, irrespective of the means it employs.

If, adhering closely to the absolute, we try to avoid all difficulties by a stroke of the pen, and insist with logical strictness that in every case the extreme must be the object, and the utmost effort must be exerted in that direction, such a stroke of the pen would be a mere paper law, not by any means adapted to the real world.