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My wife is a painter, and a very good one... and we’ve been working together for, oh, twelve years now, I guess...and at first I used to help and criticize things she was doing, and then she would help and criticize things I was doing, and we would... pitch in and do all the jiggering for each other and get it as people do... and then, gradually, things begin to sort of, you know, entropy... things began to get shuffled, and pretty soon you didn’t know, sort of, where one started and the other ended, and anything that we’ve looked at or talked about here, you know, I say that I’m doing it, but actually, she’s doing it just as much as I am, only she sort of goes under the same corporate type name...

Q: Does the creation of Design admit constraint? Design depends largely on constraints. Q: What constraints? The sum of all constraints. Here is one of the few effective keys to the Design problem: the ability of the Designer to recognize as many of the constraints as possible; his willingness and enthusiasm for working within these constraints. Constraints of price, of size, of strength, of balance, of surface, of time, and so forth. Each problem has its own peculiar list.