American historian (1914–2004)
Daniel J. Boorstin (1 October 1914 – 28 February 2004) was an American historian, professor, attorney, and author. He served as the director of the Smithsonian’s National Museum of American History in 1969-1973 and was the Librarian of Congress from 1975 to 1987. His book trilogy, The Americans: The Colonial Experience, The National Experience, and The Democratic Experience received the Bancroft Prize, the Pulitzer Prize, and the Francis Parkman Prize. In 1989, the Medal for Distinguished Contribution to American Letters was bestowed upon him.
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Pseudo‑events spawn other pseudo‑events in geometric progression. This is partly because every kind of pseudo-event (being planned) tends to become ritualized, with a protocol and a rigidity all its own. As each type of pseudo-event acquires this rigidity, pressures arise to produce other, derivative, forms of pseudo‑event which are more fluid, more tantalizing, and more interestingly ambiguous.
Pseudo‑events do, of course, increase our illusion of grasp on the world, what some have called the American illusion of omnipotence. Perhaps, we come to think, the world’s problems can really be settled by “statements,” by “Summit” meetings, by a competition of “prestige,” by overshadowing images, and by political quiz shows.
When photography appeared in the nineteenth century, it offered a new challenge to the mullahs’ theological acrobatics. Muslims wishing to be photographed remembered the Hadiths against pictorial representation. They were glad to be told that since photographs were made by God Himself through the agency of His Sun they were not under the ban of the paintings by presumptuous human artists. Yet in much of the Muslim world, photographs remained under the Prophet’s ban. A Muslim photographer in Delphi, who had spent many years successfully photographing people in groups, in an onrush of conscience finally destroyed all his plates.
Our attitude toward our own culture has recently been characterized by two qualities, braggadocio and petulance. Braggadocio —- empty boasting of American power, American virtue, American know-how —- has dominated our foreign relations now for some decades. ... Here at home —- within the family, so to speak —- our attitude to our culture expresses a superficially different spirit, the spirit of petulance. Never before, perhaps, has a culture been so fragmented into groups, each full of its own virtue, each annoyed and irritated at the others.
Now, these parts of the earth [Europe, Africa, Asia] have been more extensively explored and a fourth part has been discovered by Amerigo Vespucci (as will be described in what follows). Inasmuch as both Europe and Asia received their names from women, I see no reason why any one should justly object to calling this part Amerige [from Greek “ge” meaning “land of”], i.e., the land of Amerigo, or America, after Amerigo, its discoverer, a man of great ability.
Celebrity-worship and hero-worship should not be confused. Yet we confuse them every day, and by doing so we come dangerously close to depriving ourselves of all real models. We lose sight of the men and women who do not simply seem great because they are famous but are famous because they are great. We come closer and closer to degrading all fame into notoriety.
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"Toynbee offers his own explanation of how and why societies survive and prosper. It is the leadership of "creative minorities" that keeps societies alive and flourishing. But when the "creative" minority becomes a "dominant" minority, imposing its will by force and oppression, then poletariats (internal and external) are created and the society disintegrates. Though fervent and profuse with the data of his "English empiricism," Toynbee still developed his own mystique to replace "destiny." The real progress of a civilization consists in what Toynbee calls "etherialization"-"an overcoming of material obstacles which releases the energy of the society to make responses to challenges which henceforth are internal rather than external, spiritual rather than material.
The American citizen thus lives in a world where fantasy is more real than reality, where the image has more dignity than its original. We hardly dare face our bewilderment, because our ambiguous experience is so pleasantly iridescent, and the solace of belief in contrived reality is so thoroughly real. We have become eager accessories to the great hoaxes of the age. These are the hoaxes we play on ourselves.