Robbie... asked me to create the new physics course—at least the first year of the new physics course. And I said, “Robbie, when you were chair of the faculty, you asked for complete teaching relief. Now I’m going to be chair... and you’re giving me the hardest teaching job in the whole institution. Don’t you think that’s a little unfair?" We... cut a deal... full financial support for a postdoc so I could hire somebody to help me on my research group while I was doing all this.
American physicist (1939–2024)
(April 5, 1939 – April 10, 2024) was an American physicist and served as professor of physics and as Vice-provost at the . He wrote several books, including (1996). In the 1980s he was the director and host of , an educational television series on physics that was adapted for high school use and translated into many other languages. The series garnered more than a dozen prestigious awards, including the 1987 Japan Prize for television.
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Alternative Names:
David Louis Goodstein
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I taught Physics 1... [b]ut not from the Feynman books ...We used some conventional textbook ...but I sort of redesigned the course. ...By the time I started teaching it the second time, I started to get worried, because... I would go on teaching the same course forever... [or] I would leave it and somebody else would teach it and it would become a completely different course... One way of preserving memory is to write a textbook, but I had already written States of Matter...been there, done that. I didn’t want to do that. And then it occurred to me that television was bound to play some role in the future of education. ...What I vaguely had in mind was that the lecture could be taped by a television camera at the back of the room.
Physics is not a newcomer to televised education. The first televised physics lecture dates... to the 1930s. A remarkable number of today's American research physicists—particularly... from rural and poorer sections of the country—trace their interest... to the... in the 1960s. The Mechanical Universe follows in that tradition...
Intellectually, technically and philosophically, physics and television are two separate cultures with almost no bridges between... [I]t is... time consuming and arduous... to span the gap... [T]here is no one... [at] Caltech... capable of reading, much less writing, a television script competently. ...[T]here is no one on the production side who knows enough... physics... to plan an important sequence, much less write a script or produce a program. This situation is a symptom of the malady of science illiteracy that is intended to help cure..."
[N]obody ever made a million dollars on .
Five years after the series went public, we got a letter ...saying, "You’ve crossed the threshold. You now share in the revenues." ...But by then, there were no more revenues. ...I didn’t care ...That wasn’t the purpose ...Later on, we applied to the for an additional $3 million to turn out a high school version ...without calculus.
When I was vice chair of the faculty, the chair... was Robbie Vogt... As soon as he stepped down... and I became chair of the faculty, he became chair of the PMA division, and he called me into his office... in 1979. We had been teaching from the Feynman physics books... using them as textbooks ever since Feynman had given the lectures, from '62 to '64. ...[T]hey had just gotten too hard. It was great for the teachers; I loved teaching from his books. But for the students—if you didn’t already know physics, trying to learn physics from those books... Seeing physics with fresh eyes all over again, it’s wonderful—that’s why every scientist in the world owns a set of these books... [b]ut to learn it for the first time from those books is just impossible. You basically need to know physics, in order to appreciate them.
Sally told me... it cost about $75,000 to make a half-hour program. ...[T]he original grant was for $750,000. We eventually got $6 million... [P]art of the proposal... was to make a pilot program that cost hundreds of thousands... and took three years... And that was a make-or-break—either they accepted the pilot program or the project was dead. ...It became the second program in the series... "The Law of Falling Bodies." ...this absolutely beautiful pilot program ...which cost $350,000 ...everybody loved it and they said, “Go ahead.” ...And that meant ...classy computer animation and ...actors ...We did all kinds of things you just don’t do in educational television.