David Goodstein Quotes

Physics is not a newcomer to televised education. The first televised physics lecture dates... to the 1930s. A remarkable number of today's American research physicists—particularly... from rural and poorer sections of the country—trace their interest... to the... in the 1960s. The Mechanical Universe follows in that tradition...

[T]he full series of 52 programs was first broadcast during the academic year 1986-1987...

[I]t was no longer a television camera at the back of the room. It was now a production, with programs, and all the production values... [I]t... evolved into something far beyond anything I had imagined.

[T]he primary audience was to be the "nontraditional student," especially "distance learners,"... [I]t was hoped that with a resourceful, dedicated local teacher... the teaching of introductory physics at any level could be enriched... [A]lso... that a large, casual, nonstudent audience would watch... for pleasure and instruction. ...[T]hat ideal target audience was the high-school physics teacher.

[A] program is devoted to Millikan's oil-drop experiment, partly as an application of Newton's second law, and... to induce... philosophical ideas about how science is... done. ...The solution ...create a ..."Millikan Museum" ...in the Norman Bridge Laboratory where he had worked. The set involved thousands of artifacts, many ...Millikan's own ...After ...shooting ...the museum was disassembled, to live on only on videotape.

I... remember one morning at... breakfast, reading the ... story that had given $10 million a year for fifteen years to make telecommunications materials for higher education. ...[H]e created ...the Annenberg CPB Foundation ...to give out Annenberg’s money. ...I ...got in touch with Sally Beaty and ...KCET ...and we wrote a proposal. ...KCET ...was on the verge of going belly-up. And they tried to load the entire overhead of the station on our project. ...[W]e got the award—with KCET not involved. ...[N]ow we had no flagship station, but we had the money ...

Human civilization as we know it will end, sometime in the 21st century.

Sally told me... it cost about $75,000 to make a half-hour program. ...[T]he original grant was for $750,000. We eventually got $6 million... [P]art of the proposal... was to make a pilot program that cost hundreds of thousands... and took three years... And that was a make-or-break—either they accepted the pilot program or the project was dead. ...It became the second program in the series... "The Law of Falling Bodies." ...this absolutely beautiful pilot program ...which cost $350,000 ...everybody loved it and they said, “Go ahead.” ...And that meant ...classy computer animation and ...actors ...We did all kinds of things you just don’t do in educational television.

I taught Physics 1... [b]ut not from the Feynman books ...We used some conventional textbook ...but I sort of redesigned the course. ...By the time I started teaching it the second time, I started to get worried, because... I would go on teaching the same course forever... [or] I would leave it and somebody else would teach it and it would become a completely different course... One way of preserving memory is to write a textbook, but I had already written States of Matter...been there, done that. I didn’t want to do that. And then it occurred to me that television was bound to play some role in the future of education. ...What I vaguely had in mind was that the lecture could be taped by a television camera at the back of the room.

The problem of how to present detailed mathematical derivations is confronted... in the animated scenes. ...The comprimise solution... invented while designing the pilot program, is called the "algebraic ballet." ...done in detail, but rapidly and entertainingly. The viewer was not expected to absorb every detail... [b]ut every step was displayed... [A]ttention is never lost during these [rapid] mathematical passages.

[T]he earlier Feynman course had sought to makes physics exciting by relating... to contemporary... problems. The new course took the opposite tack... to recreate the historical excitement of the original discovery. ...[C]lassical mechanics ...is treated as the discovery of "our place in the universe." ...[I]ts climax is Newton's solution of the . ...[H]istorical recreations ...became a staple of the project.

Let me be more explicit about the differences between a conventional telecourse and The Mechanical Universe. In the conventional course, the production company begins by convening a panel of hired academic consultants. ...Courses ...are basically education by committee, with the crucial job of teaching mainly in the hands of scriptwriters and producers. But... college education is to give... the benefit of learning from people who have spent a lifetime mastering their subjects and... adding new knowledge... The crucial part is organizing a subject and seeing the connections... precisely what telecourses entrust to scriptwriters. ...The Mechanical Universe ...arises out of a real physics course at a real—and excellent—university. It represents a single, unified vision of what physics is about, and how it's connected to its roots in mathematics, history and society. ...[N]ew techniques for had to be invented.

So I went to Murph... and he said, "I’ll give you a little money to look into it." ...I think $50,000—and I hired... Don Delson... head of AV... to be my assistant... We learned all kinds of things...

The lack of qualified high-school physics teachers in the United States is a notorious (and self-perpetuating) problem. ...[C]ombating that problem was... one of the central goals of the TMU project. ...The idea was to induce teachers to study the college-level version so ...they could use the high-school materials ...with poise and confidence.

Robbie... asked me to create the new physics course—at least the first year of the new physics course. And I said, “Robbie, when you were chair of the faculty, you asked for complete teaching relief. Now I’m going to be chair... and you’re giving me the hardest teaching job in the whole institution. Don’t you think that’s a little unfair?" We... cut a deal... full financial support for a postdoc so I could hire somebody to help me on my research group while I was doing all this.