The raw material for... both the television programs and the textbooks... was a set of verbatim transcripts of the lectures delivered by Goldstein in the revised Caltech physics course. ...[T]he material would be would be presented at two levels, at least in the textbooks if not in the television programs. The upper level... for physics and engineering majors... [t]he other textbook, which corresponds to the level of the television programs... for a more general audience. Nevertheless, it... include[d] differential and integral calculus... presented as they had arisen historically... as part of... mechanics. Mastering... simple... s and s would make physics easier to understand than... the pseudocalculus... in many college physics courses. ...Liberal Arts students had little difficulty learning calculus. ...[T]his was a "major pedagogic triumph" ...A primer, written by Apostol ...was added to the ...arsenal of aids ...
American physicist (1939–2024)
(April 5, 1939 – April 10, 2024) was an American physicist and served as professor of physics and as Vice-provost at the . He wrote several books, including (1996). In the 1980s he was the director and host of , an educational television series on physics that was adapted for high school use and translated into many other languages. The series garnered more than a dozen prestigious awards, including the 1987 Japan Prize for television.
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Let me be more explicit about the differences between a conventional telecourse and The Mechanical Universe. In the conventional course, the production company begins by convening a panel of hired academic consultants. ...Courses ...are basically education by committee, with the crucial job of teaching mainly in the hands of scriptwriters and producers. But... college education is to give... the benefit of learning from people who have spent a lifetime mastering their subjects and... adding new knowledge... The crucial part is organizing a subject and seeing the connections... precisely what telecourses entrust to scriptwriters. ...The Mechanical Universe ...arises out of a real physics course at a real—and excellent—university. It represents a single, unified vision of what physics is about, and how it's connected to its roots in mathematics, history and society. ...[N]ew techniques for had to be invented.
Intellectually, technically and philosophically, physics and television are two separate cultures with almost no bridges between... [I]t is... time consuming and arduous... to span the gap... [T]here is no one... [at] Caltech... capable of reading, much less writing, a television script competently. ...[T]here is no one on the production side who knows enough... physics... to plan an important sequence, much less write a script or produce a program. This situation is a symptom of the malady of science illiteracy that is intended to help cure..."
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Physics is not a newcomer to televised education. The first televised physics lecture dates... to the 1930s. A remarkable number of today's American research physicists—particularly... from rural and poorer sections of the country—trace their interest... to the... in the 1960s. The Mechanical Universe follows in that tradition...
The showing was succesful. ...[T]he project went on to produce ...52 television programs and 3 volumes of textbooks, plus teacher's manuals, study guides... [etc.]... designed for... college level courses... [plus] complete... videos and print materials for... high schools. The program... cost nearly $10 million.