Society functions in a way much more interesting than the multiple-choice pattern we have been rewarded for succeeding at in school. Success in life comes not from the ability to choose between the four presented answers, but from the rather more difficult and painfully acquired ability to formulate the questions. Page 28

The job of the film director is to tell the story through the juxtaposition of uninflected images — because that is the essential nature of the medium.

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[A Chinese Restaurant.] Roma is seated alone at the booth. Lingk is at the booth next to him. Roma ,i>is talking to him.
* * *

Roma: . . . Eh? What I’m saying, what is our life? (Pause.) It’s looking forward or it’s looking back. And that’s our life. That’s it. Where is the moment? (Pause.) And what is it that we’re afraid of? Loss. What else? (Pause.) The bank,/i> closes. We get sick, my wife died on a plane, the stock market collapsed . . . the house burnt down . . . what of these happen . . . ? None of ’em. We worry anyway. What does this mean? I’m not secure. How can I be secure? (Pause.) Through amassing wealth beyond all measure? No. And what’s beyond all measure? That’s a sickness. That’s a trap. There is no measure. Only greed. How can we act? The right way, we would say, to deal with this: “There is a one-in-a million chance that so and so will happen. . . . Fuck it, it won’t happen to me. . . .” No. We know that’s not the right way I think. (Pause.) We say the correct way to deal with this is “There is a one-in-so-and-so chance that this will happen . . . God protect me. I am powerless, let it not happen to me. . . .” But no to that. I say. There’s something else. What is it? “If it happens, AS IT MAY for that is not within our powers, I will deal with it, just as I do today with what draws my concern today.” I say this is how we must act. I do those things which seem correct to me today. I trust myself. And if security concerns me, I do that which today I think will make me secure. And every day I do that, when that day arrives that I need a reserve, (a) odds are that I have it, and (b) the true reserve that I have is the strength that I have of acting each day without fear. (Pause.) According to the dictates of my mind. (Pause.)

JOHN: I’ll tell you a story about myself. Do you mind? I was raised to think myself stupid. That’s what I want to tell you.

CAROL: What do you mean?

JOHN: Just what I said. I was brought up, and my earliest, and most persistent memories are of being told that I was stupid. “You have such intelligence. Why must you behave so stupidly?” Or, “Can’t you understand? Can’t you understand?” And I could not understand. I could not understand.

CAROL: What?

JOHN: The simplest problem. Was beyond me. It was a mystery.

CAROL: What was a mystery?

JOHN: How people learn. How I could learn. Which is what I’ve been speaking of in class. And of course, you can’t hear it. Carol. Of course, you can’t. (Pause) I used to speak of “real people,” and wonder what the real people did. The real people. Who were they? They were the people other than myself. The good people. The capable people. The people who could do the things, I could not do: learn, study, retain ... all that garbage – which is what I have been talking of in class, and that’s exactly what I have been talking of – If you are told ... Listen to this. If the young child is told, he cannot understand. Then he takes it as a description of himself. What am I? I am that which cannot understand. And I saw you out there, when we were speaking of the concepts of...

CAROL: I can’t understand any of them.

JOHN: Well, then, that’s my fault. That’s not your fault. And that is not verbiage. That’s what I firmly hold to be the truth. And I am sorry, and I owe you an apology.

Then I'm over the fucking top and you owe me a Cadillac. And I don't want any fucking shit and I don't give a shit.

Patel?!?! Ravadahm Patel?!?! How am I going to make a living on these deadbeat wogs?! Where'd you get this from, a morgue? Oh come on! What's the fuckin' point?! What's the fuckin' point in any case!? I gotta argue with you? I gotta knock heads with the cops? I'm busting my balls, sell your dirt to two deadbeats; money in a mattress. I come back, you can't even keep the contracts safe. I got to go out and close them again. What the fuck am I wasting my time... Fuck this shit!

"...My dad, may he rest in
peace, taught me many wonderful things. And one of the things he taught me was never ask a guy what you do for a living.

He said "If you think about it, when you ask a guy, what do you do you do for a living," you’re saying "how may I gauge the rest of your utterances." are you smarter than I am? Are you richer than I am, poorer than I am?"

So you ask a guy what do you do for a living, it’s the same thing as
asking a guy, let me know what your politics are before I listen to you so
I know whether or not you’re part of my herd, in which case I can nod
knowingly, or part of the other herd, in which case I can wish you dead.

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Superman comics are a fable, not of strength, but of disintegration. They appeal to the preadolescent, (sic) mind not because they reiterate grandiose delusions, but because they reiterate a very deep cry for help.
Superman's two personalities can be integrated only in one thing: only in death. Only Kryptonite cuts through the disguises of both wimp and hero, and affects the man below the disguises.
And what is Kryptonite? Kryptonite is all that remains of his childhood home.
It is the remnants of that destroyed childhood home, and the fear of those remnants, which rule Superman's life. The possibility that the shards of that destroyed home might surface prevents him from being intimate- they prevent him from sharing the knowledge that the wimp and the hero are one. The fear of his childhood home prevents him from having pleasure.
He fears that to reveal his weakness, and confusion, is, perhaps indirectly, but certainly inevitably, to receive death from the person who received that information.
[...]
Far from being invulnerable, Superman is the most vulnerable of beings, because his childhood was destroyed. He can never reintegrate himself by returning to that home- it is gone. It is gone and he is living among aliens to whom he cannot even reveal his rightful name.

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Cop couldn't find his dick, two hands and a map.

Fox: It's lonely at the top.
Gould: But it ain't crowded.

We know that wearing a mask outside health care facilities offers little, if any, protection from infection. Public health authorities define a significant exposure to COVID-19 as face-to-face contact within 6 feet with a patient with symptomatic COVID-19 that is sustained for at least a few minutes (and some say more than 10 minutes or even 30 minutes). The chance of catching COVID-19 from a passing interaction in a public space is therefore minimal. In many cases, the desire for widespread masking is a reflexive reaction to anxiety over the pandemic.” The New England Journal of Medicine, “Universal Masking in Hospitals in the COVID-19 Era,” May 21, 2020. * It is the immemorial tactic of a dictatorial regime to accuse its opponents of what it is doing.

Many of us, and most of us from time to time, try to escape a blunt fact which may not tally with our self-image. When we are depressed, we re-create the world around us to rationalize our mood. We are then likely to overlook or misinterpret happy circumstances.

Every reiteration of the idea that _nothing matters_ debases the human spirit.

Every reiteration of the idea that there is no drama in modern life, there is only dramatization, that there is no tragedy, there is only unexplained misfortune, debases us. It denies what we know to be true. In denying what we know, we are as a nation which cannot remember its dreams — like an unhappy person who cannot remember his dreams and so denies that he does dream, and denies that there are such things as dreams.

Every fear hides a wish.