American playwright, filmmaker and author (born 1947)
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You stupid fucking cunt. Williamson! I'm talking to you shithead! You just cost me $6,000. $6,000, and one Cadillac. That's right. What are you going to do about it? What are you going to do about it...asshole? You fucking shit! Where did you learn your trade, you stupid fucking cunt?! You idiot! Whoever told you that you could work with men?! Oh, I'm gonna have your job, shithead. I'm going downtown, I'm going to talk to Mitch and Murray! I'm going to Lemkin! I don't care whose nephew you are...who you know...whose dick you're sucking on, you're going out! I swear to you, you're going out! Anyone in this office lives on his wits. I'm going to be with you in a second. What you are hired for, is to help us. Does that seem clear to you? To HELP us. Not to FUCK US UP! To help men who are going out there to try to earn a living, you fairy. You company man. I'll tell you something else, I hope you ripped the joint off, maybe I can tell our friends here a little something that might help him to catch you. You want to learn the first rule you'd know if you'd ever spent a day in your life? You never open your mouth til you know what the shot is. You fucking child.
[A Chinese Restaurant.] Roma is seated alone at the booth. Lingk is at the booth next to him. Roma ,i>is talking to him.
* * *
Roma: . . . Eh? What I’m saying, what is our life? (Pause.) It’s looking forward or it’s looking back. And that’s our life. That’s it. Where is the moment? (Pause.) And what is it that we’re afraid of? Loss. What else? (Pause.) The bank,/i> closes. We get sick, my wife died on a plane, the stock market collapsed . . . the house burnt down . . . what of these happen . . . ? None of ’em. We worry anyway. What does this mean? I’m not secure. How can I be secure? (Pause.) Through amassing wealth beyond all measure? No. And what’s beyond all measure? That’s a sickness. That’s a trap. There is no measure. Only greed. How can we act? The right way, we would say, to deal with this: “There is a one-in-a million chance that so and so will happen. . . . Fuck it, it won’t happen to me. . . .” No. We know that’s not the right way I think. (Pause.) We say the correct way to deal with this is “There is a one-in-so-and-so chance that this will happen . . . God protect me. I am powerless, let it not happen to me. . . .” But no to that. I say. There’s something else. What is it? “If it happens, AS IT MAY for that is not within our powers, I will deal with it, just as I do today with what draws my concern today.” I say this is how we must act. I do those things which seem correct to me today. I trust myself. And if security concerns me, I do that which today I think will make me secure. And every day I do that, when that day arrives that I need a reserve, (a) odds are that I have it, and (b) the true reserve that I have is the strength that I have of acting each day without fear. (Pause.) According to the dictates of my mind. (Pause.)
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Writers are asked, 'How could you know so much about [fill in the profession]?' The answer, if the writing satisfies, is that one makes it up. And the job, my job, as a dramatist, was not to write accurately, but to write persuasively. If and when I do my job well, subsequent cowboys, as it were, will talk like me.
In the sixties, the Commune emerged as a riposte to the nuclear family. This was an autonomic re-creation of not only preindustrial, but pre-agrarian life; it was the Return to Nature, but the Commune, like the colleges from which the idea reemerged, only functioned if Daddy was paying the bills, for the rejection of property can work only in subvention or in slavery. It is only in a summer camp (College or the hippie commune) that the enlightened live on the American Plan — room and board included prepaid — and one is free to frolic all day in the unspoiled woods.
JOHN: You said “Good day.” I think that it is a nice day today.
CAROL: Is it?
JOHN: Yes, I think it is.
CAROL: And why is that important?
JOHN: Because it is the essence of all human communication. I say something
conventional, you respond, and the information we exchange is not about the
“weather,” but that we both agree to converse. In effect, we agree that we are both
human.
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What the hell are you? You're a fuckin' secretary. Fuck you. That's my message to ya: fuck you and kiss my ass, and if you don't like it baby I'm going across the street to Jerry Graff, period, fuck you. Now, I want you to put me on the cadillac board and I want two promising leads and I don't want any bullshit and I want them close together because I am going to close them all, and that is all I have to say to you! [flips him off]
What gives you the right. Yes. To speak to a woman in your private … Yes. Yes. I’m sorry. I’m sorry. You feel yourself empowered … you say so yourself. To strut. To posture. To “perform.” To “Call me in here …” Eh? You say that higher education is a joke. And treat it as such, you treat it as such. And confess to a taste to play the Patriarch in your class. To grant this. To deny that. To embrace your students.
A society can neither advance nor improve without excess of disposable income. This excess can only be amassed through the productions of goods and services necessary or attractive to the mass. A financial system which allows this leads to inequality; one that does not leads to mass starvation. Page 10.