English poet (born 1955)
David Whyte (born 2 November 1955) is an Anglo-Irish poet.[1][2][3] He has said that all of his poetry and philosophy are based on "the conversational nature of reality".[4] His book The Heart Aroused: Poetry and the Preservation of the Soul in Corporate America (1994) topped the best-seller charts in the United States.
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BLESSING FOR THE LIGHT
I thank you, light, again,
for helping me to find
the outline of my daughter’s face,
I thank you light,
for the subtle way
your merest touch gives shape
to such things I could
only learn to love
through your delicate instruction,
and I thank you, this morning
waking again,
most intimately and secretly
for your visible invisibility,
the way you make me look
at the face of the world
so that everything becomes
an eye to everything else
and so that strangely,
I also see myself being seen,
so that I can be born again
in that sight, so that
I can have this one other way
along with every other way,
to know that I am here.
Hiding is an act of freedom from the misunderstanding of others, especially in the enclosing world of oppressive secret government and private entities, attempting to name us, to anticipate us, to leave us with no place to hide and grow in ways unmanaged by a creeping necessity for absolute naming, absolute tracking and absolute control. Hiding is a bid for independence, from others, from mistaken ideas we have about ourselves, from an oppressive and mistaken wish to keep us completely safe, completely ministered to, and therefore completely managed. Hiding is creative, necessary and beautifully subversive of outside interference and control. Hiding leaves life to itself, to become more of itself.
Cavanaugh says to be constantly describing yourself and to think you know who you are and to be constantly explaining to others is a gospel of despair. To be yourself and to put yourself in conversation with others and to overhear yourself saying things you didn’t know you knew, this is more like the truth, this is more like the poetic imagination … and the weakness of the prose, according to Cavanaugh, is the person who tries to get to a given goal in a staight line.
SELF PORTRAIT
It doesn't interest me if there is one God
or many gods.
I want to know if you belong or feel
abandoned.
If you know despair or can see it in others.
I want to know
if you are prepared to live in the world
with its harsh need
to change you. If you can look back
with firm eyes
saying this is where I stand. I want to know
if you know
how to melt into that fierce heat of living
falling toward
the center of your longing. I want to know
if you are willing
to live, day by day, with the consequence of love
and the bitter
unwanted passion of your sure defeat.
I have heard, in that fierce embrace, even
the gods speak of God.
MAMEEN
Be infinitessimal under that sky, a creature
even the sailing hawk misses, a wraith
among the rocks where the mist parts slowly.
Recall the way mere mortals are overwhelmed
by circumstance, how great reputations
dissolve with infirmity and how you,
in particular, live a hairsbreadth from losing
everyone you hold dear.
Then, look back down the path as if seeing
your past and then south over the hazy blue
coast as if present to a wide future.
Remember the way you are all possibilities
you can see and how you live best
as an appreciator of horizons,
whether you reach them or not.
Admit that once you have got up
from your chair and opened the door,
once you have walked out into the clean air
toward that edge and taken the path up high
beyond the ordinary, you have become
the privileged and the pilgrim,
the one who will tell the story
and the one, coming back
from the mountain,
who helped to make it.