Tell him I write of worms and corruption, because I like worms and corruption. Tell him I believe in the fundamental wickedness and worthlessness of man, & in the rot in life. Tell him I am all for cancers. And tell him, too, that I loathe poetry. I'd prefer to be an anatomist or the keeper of a morgue any day. Tell him I live exclusively on toenails and rumours. I sleep in a coffin too, and a wormy shroud is my summer suit.
Lord Cut-Glass, in his kitchen full of time, squats down alone to a dogdish, marked Fido, of peppery fish-scraps and listens to the voices of his sixty-six clocks, one for each year of his loony age, and watches, with love, their black-and-white moony loudlipped faces tocking the earth away: slow clocks, quick clocks, pendulumed heart-knocks, china, alarm, grandfather, cuckoo; clocks shaped like Noah's whirring Ark, clocks that bicker in marble ships, clocks in the wombs of glass women, hourglass chimers, tu-wit-tuwoo clocks, clocks that pluck tunes, Vesuvius clocks all black bells and lava, Niagara clocks that cataract their ticks, old time weeping clocks with ebony beards, clocks with no hands for ever drumming out time
without ever knowing what time it is. His sixty-six singers are all set at different hours. Lord Cut-Glass lives in a house and a life at siege. Any minute or dark day now, the unknown enemy will loot and savage downhill, but they will not catch him napping. Sixty-six different times in his fish-slimy kitchen ping, strike, tick, chime, and tock.
From where you are you can hear in Cockle Row in the spring, moonless night, Miss Price, dressmaker and sweetshop-keeper, dream of her lover, tall as the town clock tower, Samson syrup-gold-maned, whacking thighed and piping hot, thunderbolt-bass'd and barnacle-breasted, flailing up the cockles with his eyes like blowlamps and scooping low over her lonely loving hotwaterbottled body.
"Poem in October"
It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron
Priested shore
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
Myself to set foot
That second
In the still sleeping town and set forth.
My birthday began with the water-
Birds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In rainy autumn
And walked abroad in a shower of all my days.
High tide and the heron dived when I took the road
Over the border
And the gates
Of the town closed as the town awoke.
A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
Blackbirds and the sun of October
Summery
On the hill's shoulder,
Here were fond climates and sweet singers suddenly
Come in the morning where I wandered and listened
To the rain wringing
Wind blow cold
In the wood faraway under me.
Pale rain over the dwindling harbour
And over the sea wet church the size of a snail
With its horns through mist and the castle
Brown as owls
But all the gardens
Of spring and summer were blooming in the tall tales
Beyond the border and under the lark full cloud.
There could I marvel
My birthday
Away but the weather turned around.
It turned away from the blithe country
And down the other air and the blue altered sky
Streamed again a wonder of summer
With apples
Pears and red currants
And I saw in the turning so clearly a child's
Forgotten mornings when he walked with his mother
Through the parables
Of sun light
And the legends of the green chapels
And the twice told fields of infancy
That his tears burned my cheeks and his heart moved in mine.
These were the woods the river and sea
Where a boy
In the listening
Summertime of the dead whispered the truth of his joy
To the trees and the stones and the fish in the tide.
And the mystery
Sang alive
Still in the water and singingbirds.
And there c
If I'd been a cowboy, it might've ended well.
Somewhere on the ramble, I'm sure I'd have to sell
My guns along the highway. My coins to the table
To make a gambler's double, I'd double debts to pay.
Prob'ly shrink and slink away, It mightn't've ended well.
What If I'd been a sailor? I think it might've ended well.
From August to May
For a searat of man drifting through eternal blue, aboard the finest Debris.
I might've called the shanties. From daybreak to storm's set, lines stay Taught, over rhythm unbroken.
But, oh, there's a schism unspoken, a mighty calling of the lee.
An absentminded Pirate, unaccustomed to the sea;
To the land, a traitor. I think it mightn't've ended well.
What might've worked for me? What might've ended well?
Soldier, to bloody sally forth through hell?
Teacher of glorious stories to tell?
Man of gold, or stores to sell?
Lover to a gentle belle?
Maybe a camel;
A seashell.
What mightn't've been a life where it mightn't've ended well?
WHERE ONCE THE WATERS ON YOUR FACE
Where once the waters of your face
Spun to my screws, your dry ghost blows,
The dead turns up its eye;
Where once the mermen through your ice
Pushed up their hair, the dry wind steers
Through salt and root and roe.
Where once your green knots sank their splice
Into the tided cord, there goes
The green unraveller,
His scissors oiled, his knife hung loose
To cut the channels at their source
And lay the wet fruits low.
Invisible, your clocking tides
Break on the lovebeds of the weeds;
The weed of love’s left dry;
There round about your stones the shades
Of children go who, from their voids,
Cry to the dolphined sea.
Dry as a tomb, your coloured lids
Shall not be latched while magic glides
Sage on the earth and sky;
There shall be corals in your beds,
There shall be serpents in your tides,
Till all our sea-faiths die.