The three billion crawl about, all over the helpless earth, destroying and defiling, killing the forests, polluting the air with smoke and radioactive dust and the torturing noises of the machine. In place of meadows, filling stations. The lakes are puddles of human filth. Two years ago the whole area of San Francisco Harbor was covered with dead fish: even the ocean is sick from the human taint, and this they call progress.

And where is your guarantee against war in that, Miles?
"There can't be any except in human ethical maturity. A sensible political structure would help enormously, but there's going to be risk of war so long as men think they can justify hating strangers and grabbing for power. Human hearts and minds are basic—the rest is mechanics."

The ocean, forever changing and the same, was awake with deep music tonight; I was alone and not alone at all. Not alone, looking down some hours from the moving bow, seeing the flash and lingering subsidence of the noctilucae, those living diamonds of the sea, their light as transient as the sea foam and eternal as life, if life is eternal. Everything goes with me, the cherished faces, the words that endure although no embodied voice is near my body but only the great continuing voice of the sea and of a westerly wind out of the open regions of the world. I am not alone.

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Propaganda is bad art."
"Aren't you thinking in terms of music, though?"
"No. In music the problem just doesn't exist. You don't even start looking for propaganda in music unless your head's already addled."
"Yes, but in art—well, Daumier, Goya, Hogarth—"
"They live," said Sharon, "because they were good artists. If their social ideas had been the kind we don't happen to like in the twentieth century, their work would last just the same. Cellini was a louse. The piety of Blake and El Greco almost doesn't exist nowadays. Their work does.

Yet good is the drink, evil only a poison that is sometimes in the dregs: in the course of living we are likely to shake the glass—no fault of the wine. It is good to sit quiet in the sun: there is no nicely balanced opposing evil to that. Where is there any matching evil to a hearing of the G Minor Fugue? As absurd as asking, What is the opposite of a tree?

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After three and a half centuries I have found, for an empirical ethics, no better starting axiom than this: cruelty and evil are virtually synonyms. Human ethical teachers have insisted over the ages that a cruel act is an evil act, and men on the whole endorse the doctrine no matter how repeatedly they violate it. There is inevitable revulsion against any blatant attempt to make cruelty a law of behavior.