Romanian-born American writer, professor, political activist, Nobel laureate, and Holocaust survivor (1928-2016)
Eliezer "Elie" Wiesel (30 September 1928 – 2 July 2016) was a Romanian-born American Jewish writer, professor, political activist, Nobel Laureate, and Holocaust survivor. He authored 57 books (mostly written in French and English), including Night, a work based on his experience incarcerated in the Auschwitz and Buchenwald concentration camps.
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I remember when I became a refugee. Of all things it was on a Saturday, on the Sabbath. The gathering took place in the synagogue because the enemies, in their perverted imagination, tried so to hurt us that they sought to commit the worst crimes in our holiest place. Therefore they gathered the Jews in my town, Sighet, into the synagogue. And it is there that the first humiliation occurred. We stood in line; there was a table with many gendarmes, feathers in their hats. We would come and give our papers. We were so naïve. We thought that we were protected by our papers. Therefore proudly we took out our citizenship papers certifying us as citizens of Hungary. May I tell you, my good friends, what we had to do in order to obtain those papers? I cannot begin to even tell you. I remember the pain and the anguish that some of us had to go through to prove that our great-great-grandfather was born in a particular village, or town. Finally, we got the papers, and we felt good about them. We felt safe. But then, when I approached the table, in the synagogue courtyard, the officer didn't even look at the papers. He took them, tore them up and threw them into the wastebasket. I thus became a refugee. That feeling of being a refugee lasted and lasted for many, many years — in fact, until I came to this country.
"Why do you pray?" he asked me, after a moment.
Why did I pray? A strange question. Why did I live? Why did I breathe?
"I don't know why," I said, even more disturbed and ill at ease. "I don't know why."
After that day I saw him often. He explained to me with great insistence that every question possessed a power that did not lie in the answer. "Man raises himself toward God by the questions he asks Him," he was fond of repeating. "That is the true dialogue. Man questions God and God answers. But we don't understand His answers. We can't understand them. Because they come from the depths of the soul, and they stay there until death. You will find the true answers, Eliezer, only within yourself!"
"And why do you pray, Moshe?" I asked him. "I pray to the God within me that He will give me the strength to ask Him the right questions."
The absent no longer entered our thoughts. One spoke of them who knows what happened to them? but their fate was not on our minds. We were incapable of thinking. Our senses were numbed, everything was fading into a fog. We no longer clung to anything. The instincts of self-preservation, of self-defense, of pride, had all deserted us. In one terrifying moment of lucidity, I thought of us as damned souls wandering through the void, souls condemned to wander through space until the end of time, seeking redemption, seeking oblivion, without any hope of finding either.
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There is divine beauty in learning... To learn means to accept the postulate that life did not begin at my birth. Others have been here before me, and I walk in their footsteps. The books I have read were composed by generations of fathers and sons, mothers and daughters, teachers and disciples. I am the sum total of their experiences, their quests. And so are you.
In the beginning was belief, foolish belief, and faith, empty faith, and illusion, the terrible illusion. ... We believed in God, had faith in man, and lived with the illusion that in each one of us is a sacred spark from the fire of the shekinah, that each one carried in his eyes and in his soul the sign of God. This was the source — if not the cause — of all our misfortune.
It was pitch dark. I could hear only the violin, and it was as though Juliek's soul were the bow. He was playing his life. The whole of his life was gliding on the strings — his last hopes, his charred past, his extinguished future. He played as he would never play again...When I awoke, in the daylight, I could see Juliek, opposite me, slumped over, dead. Near him lay his violin, smashed, trampled, a strange overwhelming little corpse.