The appointment of ignorant young men by the Party to high places in the German universities and clinics... has caused profound depression in the country... A country which no longer recognizes a written constitution, a country in which the Minister of Justice proclaims as his guiding principle, "Right is what is useful to Germany," a country in which the police force... watches with sympathetic interest any crime which is committed to the Party's advantage—is a country where none can feel safe. Even the free can hardly take much pleasure... where more than 100,000 souls are imprisoned... Any German who has not risen to wealth and position through the Party feels less free... Millions are ashamed because they are no longer citizens of a constitutional State.
Meanwhile their Führer sits in his villa... and here he entertains his friends. ...As he talks ceaselessly and seldom listens... business cannot be settled.

That is the language of a gambler—of a man who stakes his all in one card... when the other players simply refuse to call a bluff, he may safely risk his stake.
And yet, with the great triumphs Hitler has flaunted, with the increase in power and population... how are we to explain the apathy shared by... Germans, with exceptions of the few thousand commandeered to function at processions? They do not revolt, yet they are neither happy nor content... the enthusiasm wanes... as it has been since the third year of the Hitler régime...

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The Germans were wretched so long as they had no sword. ...Only a world once more trembling before the gigantic juggernaut of a German army could do... [A] genuine idealism ...inspires the German Nazi youth. It is bellicose... and looks forward to a hero's death... they believe in the superiority of the German race and its right to rule the world.
Their new leader... began to turn it into reality... The technique of government by advertisement... has enabled a ruler... to attain his aims by sheer propaganda and bluff...

Hitler, who had made his way to power by his great gifts as a stage manager and speaker, introduced into the Reichschancellory all that browbeating noise which the Germans are so prone to take for greatness. ...Immediately after his appointment as chancellor, Hitler resolved to prove to the world that he had come, a new , to slay the dragon of communism. While the German Reichstag was burning, he accused the Communists of the guilt... This trial he lost... for its sole result was to expose the guilt of the Nazis.

Since the banks and the big industrialists wished to rid themselves of the Socialists, with their wage demands and strikes, they contributed generously to this popular party. ...Hitler's speeches constantly promised the masses a renewal of the soldier-spirit, a new army and new victories.

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[H]e commanded over a hundred of his armed adherents to make an open attack on the armed police force. The latter met the rebel's attack... Shots were fired. Fourteen men lay dead on the Munich pavement. ...Hitler vanished ...The fourteen heroes of the Nazi movement were later eulogized... by the leader who had abandoned them in danger.

[H]e works to create the single great impression that here is a prophet whose heart is bleeding for the fate of his people. ...[H]e is sly enough to use an arrangement on his speaker's desk through which, by pressing a button, the spotlights are switched on to him so that the ecstasies can be properly filmed for the news reels. A similar combination of ecstasy and artifice can be observed in other actors.

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As a stage manager and advertiser, he gave proof as real genius. In his book... "The Entente," he writes, "won the war simply and solely by its propaganda." A crowd is ready to believe anything, "true or false," provided it is constantly reiterated; one only has to say the same thing often enough.

Hitler's aim was to attract attention to himself. ...[H]e personally arranged all the lighting effects and spotlights, as well as his entry into a hall with fanfares. He trained crowds to salute with the right arm, taught them his songs, and transformed the audience from an apathetic mass into active collaborators in his festivities.