But all of this raises an interesting question," Olive said. "What if it always is the end of the world?"
She paused for effect. Before her, the holographic audience was almost perfectly still. "Because we might reasonably think of the end of the world," Olive said, "as a continuous and never-ending process.

My point is, there’s always something. I think, as a species, we have a desire to believe that we’re living at the climax of the story. It’s a kind of narcissism. We want to believe that we’re uniquely important, that we’re living at the end of history, that now, after all these millennia of false alarms, now is finally the worst that it’s ever been, that finally we have reached the end of the world.

It’s shocking to wake up in one world and find yourself in another by nightfall, but the situation isn’t actually all that unusual. You wake up married, then your spouse dies over the course of the day; you wake up in peacetime and by noon your country is at war; you wake up in ignorance and by the evening it’s clear that a pandemic is already here.

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You know the phrase I keep thinking about?" a poet asked, on a different panel, at a festival in Copenhagen. "'The chickens are coming home to roost.' Because it's never good chickens. It's never 'You've been a good person and now your chickens are coming home to roost.' It's never good chickens. It's always bad chickens.

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This whole place is death. No, that’s unfair—this place isn’t death, this place is indifference. This place is utterly neutral on the question of whether he lives or dies; it doesn’t care about his last name or where he went to school; it hasn’t even noticed him.