Enya Quotes

I loved to talk about music to Nicky ... His influence came from people like The Beatles and The Beach Boys, and he had these ideas about layering vocals, painting landscapes with music. Roma knew about Irish mythology, told stories, wrote poetry and had this special feeling for lyrics. My grounding came from the classics.

Amarantine is an ancient word, which means eternity. The poets describe an undying flower with that word, and I fell in love with that idea ... For me that word suited rhythmically to the refrain of the piece. A-ma-ran-ti-ne. In our website the fans tried to guess something super-romantic to be the album's name, but this word was obviously never guessed by anyone.

I think they find it — they find me quite confusing, because — they know the music, but they don't know anything about me ... because I keep a very private lifestyle so they end up ... making up stories as such. But I don't really concern myself too much about them.

Many childless single woman would be at my age already in panic. Also I have been thinking for the last 3 years, why I have been sacrificing so much time for my work. But, I have ended up to a thought that I would never change a single day out of my life. It would be lovely to get a family one day, but my life doesn't end even if that would not happen.

The silence of a winter's night brings memories I hold inside; remembering a blue moonlight upon the fallen snow.

I suppose there's a certain way I like the music to be performed, and I feel I can capture it better than anyone else. I know every note in every song, the whole history of it, even parts that were there and are gone.

We call out into the distance... Less than a pearl in a sea of stars, we are a lost island in the shadows.

On the project The Celts I was asked to ... to write a song. And, at the time I was ... arranging with Nicky, and writing the music and performing ... so, no desire whatsoever to write lyrics!... But Roma was actually writing poetry at the time, and she was involved, with listening in the studio ... being the audience in the studio ... so she was involved with the project. So, it was very obvious that she would write the lyrics.

The bright days of my youth They were full of hope The great journey that was before me then Was what was destined to be, bye bye. Now I'm sorrowful, The day is long past. Alas and woe, oh.

When the evening falls and the daylight is fading, From within me calls — could it be I am sleeping? For a moment I stray, then it holds me completely. Close to home, I cannot say.

When entering the studio, I don't know what will happen. I do a so-called trip into myself: I sit down at the piano and the melody might start to evolve from my playing or then I might start to sing it. At that stage I do not yet have clear ideas about what kind of emotions I would like to express. Until I play the completed piece to Roma and Nicky and when I observe their reactions, the music gets its meaning...

Listen to the rain Here it comes again Hear it in the rain Feel the touch of tears that fall — they won't fall forever In the way the day will flow all things come, all things go.

The success of Watermark surprised me. I never thought of music as something commercial; it was something very personal to me... The writing of a melody is an emotional moment; success doesn't make it easy.

If I could be close beside you If I could be where you are if I could reach out and touch you and bring you back home Is there a way I can find you Is there a sign I should know Is there a road I could follow to bring you back home to me

From the North to the South, Ebudæ into Khartoum,
From the deep sea of Clouds to the island of the moon,
Carry me on the waves to the lands I've never been,
Carry me on the waves to the lands I've never seen,
We can sail, we can sail with the Orinoco Flow,
We can sail, we can sail,
Sail away, sail away, sail away.