Trench fighting is the bloodiest, wildest, most brutal of all […] Of all the war's exciting moments none is so powerful as the meeting of two stormtroop leaders between narrow trench walls. There's no mercy there, no going back, the blood speaks from a shrill cry of recognition that tears itself from one's breast like a nightmare.
German writer (1895–1998)
Ernst Jünger (29 March 1895 – 17 February 1998) was a German author, highly decorated soldier, philosopher, and entomologist, known for his World War I memoir Storm of Steel.
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Anyone who has lived through the burning of a capital or the invasion of an eastern army will never lose a lively mistrust of all that one can possess in life. This is an advantage, for it makes him someone who, if necessary, can leave his house, his farm, his library, without too much regret. He will even discover that this is associated with an act of liberation.
Seen politically, systems follow one another, each consuming the previous one. They live on ever-bequeathed and ever-disappointed hope, which never entirely fades. Its spark is all that survives, as it eats its way along the blasting fuse. For this spark, history is merely an occasion, never a goal.
Man is born violent but is kept in check by the people around him. If he nevertheless manages to throw off his fetters, he can count on applause, for everyone recognizes himself in him. Deeply ingrained, nay, buried dreams come true. The unlimited radiates its magic even upon crime, which, not coincidentally, is the main source of entertainment in Eumeswil. I, as an anarch, not uninterested but disinterested, can understand that. Freedom has a wide range and more facets than a diamond.
The anarchist, as the born foe of authority, will be destroyed by it after damaging it more or less. The anarch, on the other hand, has appropriated authority; he is sovereign. He therefore behaves as a neutral power vis-à-vis state and society. He may like, dislike, or be indifferent to whatever occurs in them. That is what determines his conduct; he invests no emotional values.
There are periods of decline when the pattern fades to which our inmost life must conform. When we enter upon them we sway and lose our balance. From hollow joy we sink to leaden sorrow, and past and future acquire a new charm from our sense of loss. So we wander aimlessly in the irretrievable past or in distant Utopias; but the fleeting moment we cannot grasp.