Gillian Flynn Quotes

I’m so much happier now that I’m dead.

I am fat with love! Husky with ardor! Morbidly obese with devotion! A happy, busy bumblebee of marital enthusiasm. I positively hum around him, fussing and fixing. I have become a strange thing. I have become a wife. I find myself steering the ship of conversations—bulkily, unnaturally—just so I can say his name aloud. I have become a wife, I have become a bore, I have been asked to forfeit my Independent Young Feminist card. I don’t care.

You can’t be as in love as we were and not have it invade your bone marrow. Our kind of love can go into remission, but it’s always waiting to return. Like the world’s sweetest cancer.

Sleep is like a cat: it only comes to you if you ignore it.

…soldiers on the battlefield of consumerism, armed with vinyl-covered checkbooks and quilted handbags.

I don’t want to be married to a woman like you. I want to be married to a normal person.

If you are someone who reads books to feel like you have a friend on the page, my book is not going to be the book for you…I write for people who are readers the way I'm a reader. I don't care if I dislike a character; I care if I find them interesting or they make me laugh, or if I'm trying to figure them out. I am always more interested in that.

The media has saturated the legal environment. With the Internet, Facebook, YouTube, there’s no such thing as an unbiased jury anymore. No clean slate. Eighty, ninety percent of the case is decided before you get in the court room. So why not use it—control the story.

I think there’s a deep societal fear of female rage, partly because it hasn’t been experienced a lot. Men—I speak in vast generalities—are often very afraid of what they don’t know how to handle. And they haven’t had to handle female rage a lot, and they think they need to handle it.

We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can’t recall a single amazing thing I have seen firsthand that I didn’t immediately reference to a movie or TV show. A fucking commercial.

…I also wanted to make sure no one tried to make her “save the cat.” To me, Camille is an inherently kind person despite everything that’s happened to her. And you see that when you walk through the day with Camille. You see how she treats people. But she’s not running around saving babies and kittens just so the audience can be sure she’s a good person.

I can see people milling about under the fluorescent lights. It’s the kind of place where people mill about.

She already has the righteous, eye-rolling cadence of a conspiracy crackpot. She might as well wrap her head in foil.

I loved being scared as a kid. I loved the darker side of humanity. That was in my brain, even from a very early age. I was always thinking, “What could be the scariest outcome of this situation?” My cousins and I were kind of raised in a pack together—all girls. They always wanted to be princesses. I always wanted to be a witch. Or a killer. My head just went in that direction. Maybe because my father was a film professor, I developed a taste for Alfred Hitchcock. Films like Psycho scared me just the right amount. They didn’t haunt my dreams in a terrible way. I like that sensation of being scared. I’ve always been one of those people who wants to know what’s underneath the rock, what’s down the corner, what’s down the blind alley.

I wanted to make it clear that the show’s about a matriarchy. I wanted it to be clear that power can be ugly, and a matriarchy is just as ugly as a patriarchy. It may look a little different, but power is bloody.