American writer (1925–2012)
Eugene Luther Gore Vidal (born Eugene Louis Vidal; (3 October 1925 – 31 July 2012), was an American writer of novels, essays, screenplays, and stage plays.
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Constantine was never a true Galilean; he merely used Christianity to extend his dominion over the world. He was a shrewd professional soldier, badly educated and not in the least interested in philosophy, though some perverse taste in him was hugely satisfied by doctrinal disputes; the mad haggling of bishops fascinated him.
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KRETON: War is your specialty. Historians love you for it. I love you for it. After all, not only is it fun, it’s creative! Your best scientific discoveries are made in wartime: the atom bomb, radar, luncheon meat. And think of all that travel! Getting away from home, making new acquaintances, indulging in amatory dalliance with strangers. So broadening. And then: the delirium of battle, the rush of adrenaline to the head as the trumpets sound ATTACK! Conrad, war is the principle art form of your race.
It was ready-made for them to call an emergency and pretend it was war-time, you know, the war on terrorism is a metaphor, and terrorism is an abstract noun. It's like a "war on dandruff." There's no such thing, you know. It isn't war, it's just a slogan. But using the slogan they got through the U.S.A. Patriot Act, which removes many of our liberties. Nobody made a sound when we lost Habeas Corpus—due process of law—and suddenly Bush managed to get rid of it. Where was a voice on television, aside from mine, that spoke out against this? Where were all those noble jurists, those great lawyers, those lovers of liberty, where the hell were they? They were nowhere!
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In fact, the French - who read and theorise the most - became so addicted to political experiment that in the two centuries since our own rather drab revolution they have exuberantly produced one Directory, one Consulate, two empires, three restorations of the monarchy, and five republics. That's what happens when you take writing too seriously.
The late Mr. [Carl] Sandburg was a public performer of the first rank ("Ker-oh-seen!" he crooned in one of the first TV pitches for the jet-engine — ole banjo on his knee, white hair mussed by the jet-stream), a poet of the second rank (who can ever forget that feline-footed fog?) and a biographer of awesome badness.