American writer and editor (1890–1937)
Howard Phillips Lovecraft (20 August 1890 – 15 March 1937) was an American author of fantasy, horror, and science fiction, known for combining these three genres within single narratives and best remembered for the creation of the Cthulhu Mythos. He is considered, along with Edgar Allan Poe, to be one of the greatest Horror writers.
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Searchers after horror haunt strange, far places. For them are the catacombs of Ptolemais, and the carven mausolea of the nightmare countries. They climb to the moonlit towers of ruined Rhine castles, and falter down black cobwebbed steps beneath the scattered stones of forgotten cities in Asia. The haunted wood and the desolate mountain are their shrines, and they linger around the sinister monoliths on uninhabited islands. But the true epicure in the terrible, to whom a new thrill of unutterable ghastliness is the chief end and justification of existence, esteems most of all the ancient, lonely farmhouses of backwoods New England; for there the dark elements of strength, solitude, grotesqueness, and ignorance combine to form the perfection of the hideous.
Warped and bigoted with preconceived illusions of justice, freedom, and consistency, they cast off the old lore and the old way with the old beliefs; nor ever stopped to think that the lore and those ways were the sole makers of their present thoughts and judgments, and the sole guides and standards in a meaningless universe without fixed aims or stable points of reference.
Slowly but inexorably crawling upon my consciousness and rising above every other impression, came a dizzying fear of the unknown; a fear all the greater because I could not analyse it, and seeming to concern a stealthily approaching menace; not death, but some nameless, unheard-of thing inexpressibly more ghastly and abhorrent.
Some of them stole off to those cryptical realms which are known only to cats and which villagers say are on the moon's dark side, whither the cats leap from tall housetops; but one small black kitten crept upstairs and sprang in Carter's lap to purr and play, and curled up near his feet when he lay down at last on the little couch whose pillows were stuffed with fragrant drowsy herbs.
Poor Old Ones! Scientists to the last — what had they done that we would not have done in their place? God, what intelligence and persistence! What a facing of the incredible, just as those carven kinsmen and forbears had faced things only a little less incredible! Radiates, vegetables, monstrosities, star spawn — whatever they had been, they were men!
It is an unfortunate fact that the bulk of humanity is too limited in its mental vision to weigh with patience and intelligence those isolated phenomena, seen and felt only by a psychologically sensitive few, which lie outside its common experience. Men of broader intellect know that there is no sharp distinction betwixt the real and the unreal; that all things appear as they do only by virtue of the delicate individual physical and mental media through which we are made conscious of them; but the prosaic materialism of the majority condemns as madness the flashes of super-sight which penetrate the common veil of obvious empiricism.
The best critics of the nineteenth and twentieth centuries demand perfect rhyming, and no aspirant for fame can afford to depart from a standard so universal. It is evidently the true goal of the English, as well as of the French bard; the goal from which we are but temporarily deflected during the preceding age. But exceptions should and must be made in the case of a few who have somehow absorbed the atmosphere of other days, and who long in their hearts for the stately sound of the old classic cadences. Well may their predilection for imperfect rhyming be discouraged to a limited extent, but to chain them wholly to modern rules would be barbarous. Every limited mind demands a certain freedom of expression, and the man who cannot express himself satisfactorily without the stimulation derived from the spirited mode of two centuries ago should certainly be permitted to follow without undue restraint a practice so harmless, so free from essential error, and so sanctioned by precedent, as that of employing in his poetical compositions the smooth and inoffensive allowable rhyme.
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Gradually and mistily it became apparent that the Most Ancient One was holding something — some object clutched in the outflung folds of his robe as if for the sight, or what answered for sight, of the cloaked Companions. It was a large sphere or apparent sphere of some obscurely iridescent metal, and as the Guide put it forward a low, pervasive half-impression of sound began to rise and fall in intervals which seemed to be rhythmic even though they followed no rhythm of earth. There was a suggestion of chanting — or what human imagination might interpret as chanting. Presently the quasi-sphere began to grow luminous, and as it gleamed up into a cold, pulsating light of unassignable colour Carter saw that its flickerings conformed to the alien rhythm of the chant. Then all the mitred, sceptre-bearing Shapes on the pedestals commenced a slight, curious swaying in the same inexplicable rhythm, while nimbuses of unclassifiable light — resembling that of the quasi-sphere — played round their shrouded heads