Was this perhaps life, then?—to have loved one summer in youth and not to have been aware of it until it was over, some sea-wet footprints on the floor and sand in the prints, the fragrance of a woman, soft loving lips in the dusk of a summer night, sea birds; and then nothing more; gone.

But whoever thinks that beauty is something he can enjoy exclusively for himself just by abandoning other people and closing his eyes to the human life of which he is part—he is not the friend of beauty. He ends up either as Pétur Þríhross's poet, or his secretary. He who doesn't fight every day of his life to the last breath against the representatives of evil, against the living images of evil who rule Sviðinsvík—he blasphemes by taking the word beauty into his mouth.

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They walked together like that all night, and there was no night, just a slight unreality, a momentary trance, with mist here and there as if the landscape were about to dissolve, and then nothing dissolved and the mist had vanished again. There was a crimson glow on the highest mountain ridges, and shining birds swarming in their thousands over the flame-gilded, mirror-smooth sea. And they went on talking together. Ólafur Kárason had no perception of the passing of time; only that voice with its dark, silk-edged, golden tones reverberated through his consciousness. When a man has lost what he loves most, there is no need to write poetry; the timber of a man's voice expresses all the poetry of life.

And so it went on, day after day. This was not the first time that those who had at first smiled at him turned their backs on him and began to think of themselves isntead of thinking of him. Sometimes it was as if you understood people's souls; a few days later, you understood nothing. One day you were kissed, and it meant everything; next day, you were not kissed . . . . He consoled himself by looking at his exercise books with the poems approaching the thousand total soon, and more. Perhaps the world would some day understand that the heart existed. Some day.

He wrote down everything he saw and heard, and most of his thoghts, sometimes in verse, sometimes in prose. It could take him many hours to write in his diary a survey of one full day: everything was an experience, any noteworthy observation which some nameless person might make was a new vista, any insignificant piece of information was a new sunrise, any ordinary poem he read for the first time was the beginning of a new epoch like a flight around the globe; the world was multiform, magnificent and opulent, and he loved it.

The correct understanding of life, let me tell you, is love despite everything. Love despite everything, that is the aim and object of life. Love, you see, is the only thing that pays in the long run, even though it might seem a dead loss in the short run.

He came to a halt in a hollow and got his breath back. He felt himself freed of a great burden by getting out of sight of other people. The previous days and nights had been eventful, and he had lost himself. But now he was sure he would find himself again, like a dead man who finds himself, little by little, in the next world. In spite of everything, and although he was in reality a newborn babe in this new world, it was delightful to be born anew and to own a share of the sun like others instead of having to wait half the year perhaps for one little ray of sunshine . . . . No, there's probably no way of making something cease to exist once it has come into existence. He was no longer afraid of the immortality of the soul, that doctrine which for a time had seemed to him the height of human cruelty. Today it was the many and various abodes of the Creator which enchanted the mind . . . . and death did not exist.

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