"Dr. Manning said he'd thought at first it might be sleeping sickness, or even narcolepsy, whatever that was, but - no, Pete was healthy enough physically. Manoel growled that the boy was bone-lazy, spending his time fishing and reading. Reading! No good could come of such things.
'In a way you're right, Manoel,' Dr. Manning said hesitantly. 'It's natural for a boy to day-dream now and then, but I think Pedro does it too much. I've let him use my library whenever he wanted, but it seems... h'm... it seems he reads the wrong things. Fairy tales are very charming, but they don't help a boy to cope with real life.'
'Com certeza,' Manoel agreed. 'You mean he has crazy ideas in the head.'
'Oh, they're rather nice ideas,' Dr. Manning said. 'But they're only fairy tales, and they're beginning to seem true to Pete. You see, Manoel, there are really two worlds, the real one, and the one you make up inside your mind. Sometimes a boy - or even a man - gets to like his dream world so much he just forgets about the real one and lives in the one he's made up.'
'I know,' Manoel said. 'I have seen some who do that. It is a bad thing.'
'It would be bad for Pete. He's a very sensitive boy. If you live too much in dreams, you can't face real life squarely.'
("Before I Wake...")"
American author (1915–1958)
Henry Kuttner (7 April 1915 – 4 February 1958) was an American science fiction author. He worked on many stories in close collaboration with his wife, C. L. Moore most often using the joint pseudonym "Lewis Padgett." In 2007 their most famous collaboration "Mimsy Were the Borogoves" was adapted into a film The Last Mimzy.
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This isn't my world, now. Not any more. Not the world I left. This is a world in which no nekronic flash leaped from a box that Ira De Kalb opened and dropped to his hearthstone to infect the world, De Kalb and me. All that did happen once, in another world that hasn't existed since the four of us, a doubled weapon wielded by the Face of Ea, wrought the cleaving apart of two universes. Imponderable forces shifted when that cleavage took place. You and I know nothing about it, for it happened far beyond the perceptions of any sentient creature. But it happened. Oh yes, it happened.
"The Isle of Pines was Circe's isle, with white marble columns here and there in the dark, green, and pirates would be dueling with a flash of clashing swords and a flash of recklessly smiling white teeth. The Gulf, like the Caribbean, is haunted by the ghosts of the old buccaneers. Tampico, to Pete, wasn't the industrial shipping port his father knew. It had palaces and parrots of many colors, and winding white roads. It was an Arabian Nights city, with robed magicians wandering the streets, benign most of the time, but with gnarled hands like tree-roots that could weave spells.
Manoel, his father, could have told him a different story, for Manoel had shipped once under sail, in the old days, before he settled down to a fisherman's life in Cabrillo. But Manoel didn't talk a great deal. Men talk to men, not to boys, and that was why Pete didn't learn as much as he might have from the sun-browned Portuguese who went out with the fishing fleets. He got his knowledge out of books, and strange books they were, and strange knowledge.
("Before I Wake...")"
I never understood the ultimate answer. That was beyond me. It took the combined skills of three great civilizations far apart in time to frame that godlike concept in which the tangible universe itself was only a single factor. And even then it was not enough. It took the Face of Ea — which I shall never be able to describe fully. I saw it, though. I saw it...
In Eden the trouble began. And even after that, Cain slew Abel. In every Paradise, there have been wars. But in the Polar cold, in the Sahara, in all inhospitable lands where men wrench a dangerous living from the hostile elements, there is comradeship in unity against the Enemy older than man, the universe in which he dwells.
Then I knew that the last test of sanity had failed me, for it was no longer possible to tell the unreal from the real. The last test fails when the illusion moves into life itself and you can touch and feel and handle the commercial vision as if she were the real woman. There was no defense any more.
"This is the story of a boy named Pete Coutinho, who had a spell put on him. Some people might have called it a curse. I don't know. It depends on a lot of things, on whether you've got gipsy blood, like old Beatriz Sousa, who learned a lot about magic from the wild gitana tribe in the mountains beyond Lisbon, and whether you're satisfied with a fisherman's life in Cabrillo.
Not that a fisherman's life is a bad one, far from it. By day you go out in the boats that rock smoothly across the blue Gulf waters, and at night you can listen to music and drink wine at the Shore Haven or the Castle or any of the other taverns on Front Street. What more do you want? What more is there?
And what does any sensible man, or any sensible boy, want with that sorcerous sort of glamor that can make everything incredibly bright and shining, deepening colors till they hurt, while wild music swings down from stars that have turned strange and alive? Pete shouldn't have wanted that, I suppose, but he did, and probably that's why there happened to him - what did happen. And the trouble began long before the actual magic started working.
("Before I Wake...")"
"You see, a witch has to have a familiar, some little animal like a cat or a toad. He helps her somehow. When the witch dies the familiar is suppose to die too, but sometimes it doesn't. Sometimes, if it's absorbed enough magic, it lives on. Maybe this toad found its way south from Salem, from the days when Cotton Mather was hanging witches. Or maybe Lafitte had a Creole girl who called on the Black Man in the pirate-haven of Barataria. The Gulf is full of ghosts and memories, and one of those ghosts might very well be that of a woman with warlock blood who'd come from Europe a long time ago, and died on the new continent.
And possibly her familiar didn't know the way home. There's not much room for magic in America now, but once there was room.
("Before I Wake...")"