The critics generally consider a tragedy as the next effort of the mind to an epic poem. For my part, I estimate the difficulty of writing a good comedy to be greater than that of composing a good tragedy. Not only equal genius is required, but a comedy demands a more uncommon assemblage of qualities—knowledge of the world, wit, good sense, &c; and these qualities superadded to those requisite for tragical composition.

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There is no good crying about the matter. Cousin America has run off with the Presbyterian parson and that is the end of it.

Foolish writers and readers are created for each other.

هذا العالم كوميديا للذين يفكرون ... و مأساة للذين يشعرون.

It occurred to me some years ago, that the picture of Richard the Third, as drawn by historians, was a character formed by prejudice and invention. I did not take Shakespeare's tragedy for a genuine representation, but I did take the story of that reign for a tragedy of imagination.