Chilean writer (born 1942)
Isabel Allende (born August 2, 1942) is a Chilean writer. Allende, whose works sometimes contain aspects of the genre magical realism, is known for novels such as The House of the Spirits (La casa de los espíritus, 1982) and City of the Beasts (La ciudad de las bestias, 2002), which have been commercially successful. Allende has been called "the world's most widely read Spanish-language author." In 2004, Allende was inducted into the American Academy of Arts and Letters, and in 2010, she received Chile's National Literature Prize. President Barack Obama awarded her the 2014 Presidential Medal of Freedom.
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Most of my writing is an attempt to bring an illusory order to the natural chaos of life, to decode the mysteries of memory, to search for my own identity. I have been doing it for several years, and I have achieved none of the above. My life is as messy as it always has been; my memory still works in mysterious ways-plus I am losing it!-and I still don't have a clear idea of who I really am. Most people would come to the same conclusion. We evolve, change, age. Nobody is carved in stone, except the very pompous or self-righteous.
It bothers them that instead of taking on the role of abandoned lover, I have become a happy wife. They relish seeing strong women like you and me humiliated. They cannot forgive us that we triumphed where so many others fail...Courage is a virtue appreciated in a male but considered a defect in our gender. Bold women are a threat to a world that is out of balance, in favor of men. That is why they work so hard to mistreat and destroy us.
Teresa said that until men gave birth and put up with husbands, as women do, they should not have an opinion - let alone decide on - abortion and divorce. She didn't believe that men had the right to an opinion, much less to pass laws on the female body, since they'd never know the exhaustion of gestation, the pain of labor, and the eternal bondage of motherhood.
I was influenced by all of them-by García Márquez, by Carlos Fuentes, Jorge Luis Borges, Julio Cortázar, José Donoso, so many of them-some of my own generation, like Eduardo Galeano. It's easy for me to write because I don't have to invent anything. They already found a voice, a way of telling us to ourselves, so it's easy. (1994)