My name is Eva, which means 'life,' according to a book of names my mother consulted. I was born in the back room of a shadowy house, and grew up amidst ancient furniture, books in Latin, and human mummies, but none of those things made me melancholy, because I came into the world with a breath of the jungle in my memory.
Chilean writer (born 1942)
Isabel Allende (born August 2, 1942) is a Chilean writer. Allende, whose works sometimes contain aspects of the genre magical realism, is known for novels such as The House of the Spirits (La casa de los espíritus, 1982) and City of the Beasts (La ciudad de las bestias, 2002), which have been commercially successful. Allende has been called "the world's most widely read Spanish-language author." In 2004, Allende was inducted into the American Academy of Arts and Letters, and in 2010, she received Chile's National Literature Prize. President Barack Obama awarded her the 2014 Presidential Medal of Freedom.
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At times I feel as if I had lived all this before and that I have already written these very words, but I know it was not I: it was another woman, who kept her notebooks so that one day I could use them. I write, she wrote, that memory is fragile and the space of a single life is brief, passing so quickly that we never get a chance to see the relationship between events; we cannot gauge the consequences of our acts, and we believe in the fiction of past, present, and future, but it may also be true that everything happens simultaneously. ... That's why my Grandmother Clara wrote in her notebooks, in order to see things in their true dimension and to defy her own poor memory.
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I never expected that the weird craft of writing would be of any interest to the general public, nor that a writer could become a sort of celebrity and be expected to behave like one. Writing is a very private matter that happens in silence and solitude-an introverted temperament is an asset in this job. Writing takes up an incredible amount of energy and time; there is very little left for anything else. But more and more the publishing industry forces the authors to become public figures and go around talking, reading, signing, and even selling their books. How can one be in the limelight and still write? Books deserve compassion. They are delicate creatures born to be accepted or rejected as a whole; they can't endure dissection under the microscope of the pathologist. Most writers are as vulnerable as their work. If you pin them against the wall and force them to explain the unexplainable, you might break them. I am afraid it's happening to me.
I have a hundred-year-old aunt who aspires to sainthood, and whose only wish has been to go into the convent, but no congregation, not even the Little Sisters of Charity, could tolerate her for more than a few weeks, so the family has had to look after her. Believe me, there is nothing so insufferable as a saint, I wouldn't sic one on my worst enemy.