No matter what is willed by consciousness, that which belongs to the depths can only be restored in the depths: the numinous lies outside the power of collectives, cannot be subject to state decree, created by a resolution at an international conference, offered to all shareholders and employees by the board of Standard Oil or General Motors.

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But the point is, now, at this moment, or at any moment, we're only a cross-section of our real selves. What we really are is the whole stretch of ourselves, all our time, and when we come to the end of this life, all those selves, all our time, will be us -- the real you, the real me. And then perhaps we'll find ourselves in another time, which is only another kind of dream.

Shaw presumes that his friend Stalin has everything under control. Well, Stalin may have made special arrangements to see that Shaw comes to no harm, but the rest of us in Western Europe do not feel quite so sure of our fate, especially those of us who do not share Shaw's curious admiration for dictators.

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If what we are all trying to do is to describe reality, an intuitive interpretation of actual experience, however loose the terms it employs, may bring us closer to it than the most rigorous linguistics and the severest logic. These last may leave so little room to manœuvre that they cannot capture any experience outside an accepted narrow pattern; and indeed they may operate (for philosophers do not live in a vacuum) to insist upon that pattern and to deny everything outside it.

We cannot go forward and build up this new world order, and this is our war aim, unless we begin to think differently...one must stop thinking in terms of property and power and begin thinking in terms of community and creation. Property is the old-fashioned way of thinking of a country as a thing, and a collection of things in that thing, all owned by certain people and constituting property; instead of thinking of a country as the home of a living society with the community itself as the first test.

In the same way, the dramatist has a double task, creating the imaginary life of his characters and at the same time writing for a certain number of players on a certain kind of stage. It is this mixture of sheer creation and a highly skilled technique that makes playwriting difficult. Even in plays considered worth a production, nine times out of 10 there is an obvious deficiency on one side or the other.

Remember what we once were and what we thought we'd be. And now this. And it's all we have, Allan, it's us. Every step we've taken -- every tick of the clock -- making everything worse. If this is all life is, what's the use? Better to die, like carol, before you find it out, before Time gets to work on you. I've felt it before, Allan, but never as I've done tonight. There's a great devil in the universe, and we call it Time.