Fully to appreciate a play we have to maintain a delicate balance between what is taking place apparently on two different levels of the mind. On one level we are involved in the drama, are living imaginatively with its characters. On the other level we are enjoying a performance by actors on a stage, being fully aware that we are in a theatre.

Cathedral cities, market towns, ports forgotten by the sea, spas long out of fashion, all these can decay beautifully, and often their charm increases as the life ebbs out of them. Industrial towns, like steam-engines, are only even tolerable if they are in working order and puffing away.

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In our secret depths, wherever we do our unspoken wishing, either we want life to be tidy, clear, fully understood, contained within definite limits, or we long for it to seem larger, wilder, stranger. Faced with some odd incident, either we wish to cut it down or to build it up.
On this level, below that of philosophies and rational opinions, either we reject or ignore the unknown, the apparently inexplicable, the marvellous and miraculous, or we welcome every sign of them. At one extreme is a narrow intolerant bigotry, snarling at anything outside the accepted world-picture, and at the other is an idiotic credulity, the prey of any glib charlatan. At one end the world becomes a prison, at the other a madhouse.

We tend quite rightly to associate an age with its newest and most original ideas, and there is no harm in this as long as we remember that only a few men, at that time, may have actually held those ideas, and that many decades, often amounting to centuries, may pass before those ideas have seeped down to wider and commoner levels of belief, thought, and feeling. So many 'hard-headed and realistic' men of today repeat what scientists were saying 100 years ago, and may know nothing about the outlook and prevailing moods of scientists today. And men in the street now assert beliefs originally found among the intellectuals of the 18th century. We may expect time-lags of various lengths.

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There was some unknown reality, into which the mind retreated at these moments of smiling detachment, and from the standpoint of this unknown reality it seemed as if this real life, as we call it, was no more than a dream, only a few shades more solid and consistent than the dreams of the night.[…] What was this other and deeper reality? You never looked about in it, you only looked out of it, to smile at the tissue-paper drama of ordinary reality.

Remember what we once were and what we thought we'd be. And now this. And it's all we have, Allan, it's us. Every step we've taken -- every tick of the clock -- making everything worse. If this is all life is, what's the use? Better to die, like carol, before you find it out, before Time gets to work on you. I've felt it before, Allan, but never as I've done tonight. There's a great devil in the universe, and we call it Time.