If what we are all trying to do is to describe reality, an intuitive interpretation of actual experience, however loose the terms it employs, may bring us closer to it than the most rigorous linguistics and the severest logic. These last may leave so little room to manœuvre that they cannot capture any experience outside an accepted narrow pattern; and indeed they may operate (for philosophers do not live in a vacuum) to insist upon that pattern and to deny everything outside it.

The appalling difficulty of examining the Time problem seems to me to be chiefly due to the fact that Time either changes into something else or quietly disappears from the examination room. Trying to keep it fixedly in view is like playing Wonderland croquet.

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… It's funny about England," he continued thoughtfully. "Once you're outside London, you seem to meet all kinds of people you never expect to meet, people you can't imagine meeting just from reading about England in the papers or most of the books. Not only odd characters but people who seem to belong to other periods. You never imagine, when you live a long way off, that all the other Englands—Victorian and Edwardian, for instance—still survive in certain people.

I've been up and down and round about," said the Commodore, "and I've seen a lot of religions at work. And I don't like them. With all due respect, padre. As a matter of fact I'm not thinking about the Church of England, which is something different, something intended to keep the English decent and fairly comfortable and not likely to go tearing off into religion and making nuisances of themselves—

There was some unknown reality, into which the mind retreated at these moments of smiling detachment, and from the standpoint of this unknown reality it seemed as if this real life, as we call it, was no more than a dream, only a few shades more solid and consistent than the dreams of the night.[…] What was this other and deeper reality? You never looked about in it, you only looked out of it, to smile at the tissue-paper drama of ordinary reality.

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She examined his face in that special detached way that all women seem to have at times, looking at your face as if it was not part of you, but something you were showing them, like a picture or a piece of china. Then she nodded wisely at it.

Miss Matfield liked her fiction to be full of jungles, coral reefs, plantations, lagoons, hibiscus flowers, the scent of vanilla, schooners on the wide Pacific, tropical nights. So long as the young man was first shown to her dressed in white and lounging on a veranda, while a noiseless brown figure brought him something long and cool to drink, she was ready to follow his love story to the end. If the story had no love in it but had the right exotic setting, she would read it, but she preferred a fairly strong love interest. She had not bad taste, and if the story was written for her by Joseph Conrad, so much the better; but she was ready to endure if not to delight in authors of a very different cut from Conrad if they would only give her the jungles and lagoons and coral reefs and mysterious brown faces. The worst story about Malaysia was preferable to the best story about Marylebone.

He was quite capable of talking just as men talk in bad stories in popular magazines, and Miss Matfield had sometimes wondered whether it was because he had read a great many bad stories or because the stories were nearer the truth than one thought and were worked up, on the fringes of Empire, out of men like Major Ansdell.