Those who rise to the top of organizations, who live to direct others, to wield power, are inevitably afflicted by weak egos, by a need to prove themselves. This explains why they are so easily frightened and so easily manipulated. And why they are so dangerous.

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Charlie was not a believer. He did not expect to be called to account and assigned a score for what he had done or left undone. His parents had believed in a mechanical world, a place of evolving hardware and software, no deities need apply. We just haven’t figured it all out yet, his father was fond of saying. Things get more complex and we don’t know why. But that doesn’t mean we have to ascribe it to divine providence.

Politics was a struggle for power, in its purest and simplest terms. If the voters were lucky, the winner would go on to improve their lot, because he would need their votes next time. Or because he enjoyed being popular. But issues were irrelevant. Always had been, probably. Once the age of mass communications arrived, presidents became entertainers, celebrities, if they were smart. FDR used his fireside chats; Kennedy had allowed spontaneous questions at press conferences, relying on wit and charm. Reagan knew from the films exactly how a president should behave, and he had exactly enough acting talent to bring it off. In that sense, he was the first modern president.

For Rick, it was a clear demonstration of what the game was really about. The media often maintained that campaigns weren’t substantive. But the media didn’t understand about electioneering. When they complained that issues were seldom discussed, that the debate got too personal, that in the end a fog of obfuscation was thrown over everything, they were missing the point: An election is an art form. Its purpose is not to illuminate the issues of the day, but to box in an opponent. To watch him try to wriggle free of charges and innuendo.