Jacob Bronowski Quotes

"We cannot separate the special importance of the visual apparatus of man from his unique ability to imagine, to make plans, and to do all the other things which are generally included in the catchall phrase "free will." What we really mean by free will, of course, is the visualizing of alternatives and making a choice between them. In my view, which not everyone shares, the central problem of human consciousness depends on this ability to imagine."

Many theories of the ancient world seem terribly childish today, a hodge-podge of fables and false comparisons.But our theories will seem childish five-hundred years from now.Every theory is based on some analogy, and sooner or later the theory fails because the analogy turns out to be false. A theory in its day helps to solve the problems of the day.

Every animal leaves traces of what it was; man alone leaves traces of what he created.

Many people affect to believe that science has progressively strangled the arts, or distorted them into some unpleasant “modern” form; and therefore that the arts can be revived only by throwing over science. Often of course this is merely an elderly sentiment in favour of the art of our younger days, and the real scapegoat is not science but change.

Science, like art, is not a copy of nature but a re-creation of her.

There has never been a great book or a powerful work of art which has not been thought immoral by those with an older tradition.

Newton was born during Cromwell’s revolution in the troubled 1640s; he was eighteen at the Restoration in 1660; and he published the Principia during the intrigues which ended by bringing William of Orange to England in the revolution of 1688. These are the moments when the powerful or the forceful character feels the ferment of the times, when his thoughts quicken and when he can inject into the uncertainties of others the creative ideas which will strengthen them with purpose. At such a moment the man who can direct others, in thought or in action, can remake the world.

The mastery and the greatness of science rests in the end on this, that here the rational and the empirical are knotted together. Science is fact and thought giving strength to one another.

Now if Newton had been a very plain, very dull, very matter-of-fact man, all that would be easily explicable. But I must make you see that he was not. He was really a most extraordinary, wild character. He practised alchemy. In secret, he wrote immense tomes about the Book of Revelation. He was convinced that the law of inverse squares was really already to be found in Pythagoras. And for such a man, who in private was full of these wild metaphysical and mystical speculations, to hold this public face and say, ‘I make no hypotheses’ – that is an extraordinary expression of his secret character. William Wordsworth in The Prelude has a vivid phrase, Newton, with his prism and silent face, which sees and says it exactly. Well,

There is no absolute knowledge. And those who claim it, whether they are scientists or dogmatists, open the door to tragedy.

There are three creative ideas which, each in its turn, have been central to science. They are the idea of order, the idea of causes, and the idea of chance.

Progress is the exploration of our own error. Evolution is a consolidation of what have always begun as errors. And errors are of two kinds: errors that turn out to be true and errors that turn out to be false (which are most of them). But they both have the same character of being an imaginative speculation. ...it seems to me terribly important to say this in an age in which most nonscientists are feeling a kind of loss of nerve. ...by the time science becomes a closed—that is, computerizable—project, it is not science anymore. It is not in the area of the exploration of errors.

When a man counts one, two, three, he is not only doing mathematics, he is on the path to the mysticism of numbers in Pythagoras and Vitruvius and Kepler, to the Trinity and the signs of the Zodiac.

I am using the word image in a wide meaning, which does not restrict it to the mind's eye as a visual organ. An image in my usage is what Charles Pierce called a sign...

The fact is that there are two traditions of explanation that march side by side in the ascent of man. One is the analysis of the physical structure of the world. The other is the study of the processes of life: their delicacy, their diversity, the wavering cycles from life to death in the individual and in the species. And these traditions do not come together until the theory of evolution; because until then there is a paradox which cannot be resolved, which cannot be begun, about life.