James Salter Quotes

Every object, even those which had been hers, which he never touched, seemed to share his loss. He was suddenly parted from his life. That presence, loving or not, which fills the emptiness of rooms, mildens them, makes them light — that presence was gone. The simple greed that makes one cling to a woman left him suddenly desperate, stunned. A fatal space had opened, like that between a liner and the dock which is suddenly too wide to leap; everything is still present, visible, but it cannot be regained.

"Greatness is something which can be regarded in a number of ways," he said. "It is, of course, the apotheosis, man raised to his highest powers, but it also can be, in a way, like insanity, a certain kind of imbalance, a flaw, in most cases a beneficial flaw, an anomaly, an accident." "Well, many great men are eccentric," Viri said, "even narrow." "Not necessarily narrow so much as impatient, intense."

It is always an accident that saves us. It is someone we have never seen.

I'm bored with happy couples. I don't believe in them. They're false. They're deceiving themselves.

incandescent afternoons in Spain, the shutters closed, a blade of sun burning into the darkness.

The immense southern night had fallen. It glittered everywhere, in houses along the beach, supermarkets open late, the white marquees of theaters.

I have not forgotten those days, I have only forgotten how simply they seemed to occur …

It was love, the furnace into which everything was dropped.

The only light was a standing lamp by his chair, near his elbow was a drink. He liked to read with the silence and the golden color of the whiskey as his companions. He liked food, people, talk, but reading was an inexhaustible pleasure. What the joys of music were to others, words on a page were to him.

THERE ARE THINGS I LOVE ABOUT marriage. I love the familiarity of it," Nedra said. "It's like a tattoo. You wanted it at the time, you have it, it's implanted in your skin, you can't get rid of it. You're hardly even aware of it any more. I suppose I'm very conventional," she decided.

Dean is still asleep. His clothes are strewn about. The shutters are closed. He never dreams. He's like a dead musician, like a spent runner. He hasn't the strength to dream, or rather, his dreams take place while he is awake and they are marvelous for at least one quality: he has the power to prolong them.

Now, at twenty-four, he has come to the time of choice. I know quite well how all that is. And then, I read his letters. His father writes to him in the most beautiful, educated hand, the born hand of a copyist. Admonitions to confront life, to think a little more seriously about this or that. I could have laughed. Words that meant nothing to him. He has already set out on a dazzling voyage which is more like an illness, becoming ever more distant, more legendary. His life will be filled with daring impulses which cause him to disappear and next be heard of in Dublin, in Veracruz… I am not telling the truth about Dean, I am inventing him. I am creating him out of my own inadequacies, you must always remember that.

After a while, the second phase begins: the time of few choices. Uncertainties, strange fears of the past. Finally, of course, comes the third phase, the closing, and one must begin shutting out the world as if by panels because the strength to consider everything in all its shattering diversity is gone and the shape of life-but he will be in a poet's grave by then-finally appears, like a drop about to fall.

THEY WERE DIVORCED IN THE fall. I wish it could have been otherwise. The clarity of those autumn days affected them both. For Nedra, it was as if her eyes had been finally opened; she saw everything, she was filled with a great, unhurried strength. It was still warm enough to sit outdoors. Viri walked, the old dog wandering behind him. The fading grass, the trees, the very light made him dizzy, as if he were an invalid or starving. He caught the aroma of his own life passing. All during the proceedings, they lived as they always had, as if nothing were going on. The judge who gave her the final decree pronounced her name wrong. He was tall and decaying, the pores visible in his cheeks. He misread a number of things; no one corrected him. It was November. Their last night together they sat listening to music — it was Mendelssohn — like a dying composer and his wife. The room was peaceful, filled with beautiful sound. The last logs burned. "Would you like some ouzo?" she asked. "I don't think there is any." "We drank it all?" "Some time ago."

I have never been able to write the story. I reach a certain point and cannot go on. The death of kings can be recited, but not of one’s child.

Miyata was fluent and intelligent. Nothing was beyond his curiosity. He seemed to be above the confusion of life, as if he had been commissioned to spend his own in undisturbed judgement of the world about him, protected always by a mandate from the gods. They spoke briefly of Korea and then of the past war with the United States. Miyata had been in Japan for its entire duration and must have been deeply affected, but when he talked about it, it was without bitterness. Wars were not of his doing. He considered them almost poetically, as if they were seasons, the cruel winters of man, even though almost all the work he had done in the 1930s and early 1940s had been lost when his house was burned in the great incendiary raid of 1944. He described the night vividly, the endless hours, the bombers thundering low over the storms of fire.