Flying doesn't make me nervous. Driving to the airport can make me nervous. Because if you miss that plane, there's no alternative. [...] No airline goes, "Well, you missed the flight. We do have a cannon leaving in about ten minutes. Would you be interested in that? It's not a direct cannon, you have to change cannons after you land."

I think the best Seinfeld episode idea I ever contributed was that George pretending to be a marine biologist would find Kramer's golf ball in the blowhole of the whale. Believe it or not, we were doing both of those stories without seeing any connection that Kramer was gonna hit golf balls at the beach, and George was gonna be pretending to be a marine biologist. And it was in the middle of the week that it suddenly hit me of a way to connect the two stories.

[Death is] the last big move of your life. The hearse is like the van, the pallbearers are your close friends, the only ones you could really ask to help you with a big move like that. And the casket is that great, perfect box you've been looking for your whole life. The only problem is once you find it, you're in it.

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There's no "putting an act together". Okay? A stand-up comedian is an act. You are an act. You breathe and live an act. It's not assembled; it's not-- This is not Hello, Dolly!. It's constant, it's organic; you live inside it. It's like a snow globe. Comedy is a snow globe. You live in it.

You know you really need some help. A regular psychiatrist couldn't even help you. You need to go to like Vienna or something. You know what I mean? You need to get involved at the University level. Like where Freud studied and have all those people looking at you and checking up on you. That's the kind of help you need. Not the once a week for eighty bucks. No. You need a team. A team of psychiatrists working round the clock thinking about you, having conferences, observing you, like the way they did with the Elephant Man. That's what I'm talking about because that's the only way you're going to get better.

There was [an] incredible amount of luck -- good luck -- that I had, that made [Seinfeld] what it was. On the other hand, I could argue against that. I could say "I'm the one who said to Larry David: 'Y'know, when you and I talk, it's really funny. We should write something together'."

[Larry and I] were all about writing. We didn't really want to hear from anybody, talk to anybody. It was just writing and-- and rehearsing. The casting was quick; editing was quick. Everything else we did very quickly, but we labored over the writing.