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My first bit that I thought "That's a real bit!" was about the tramway between Manhattan and Roosevelt Island. 1976: the city was going bankrupt. I go "Oh! That's great! They're putting up rides for us! Next thing, I guess they'll be putting up a rollercoaster through the ghetto!"

That was the dominance of network television at that time. There was no competition. [Theirs] was the only game in town. A guy like me-- Could you ima-- I would never have gotten past my second set, today, before they would've grabbed me! Right? "Hey, this guy's pretty good!" "Just grab him! Let's do-- Somebody come up with somethin' for this kid!"

I always felt like I was very much a "hook"-less comedian, and that I would always be hook-less. And that-- I thought "Maybe that's my hook!" Y'know? That I just don't have anything that you latch onto as "He's the guy who does this" or "looks like this".

It was always heartbreaking. You could get [an idea] all the way to the edit... and it-- and it falls apart. You got it all that way and right before it's in the-- just as it goes in the show, you go "That's not the right angle... and it's not funny at all now." And even though you had it all that way, and then, just at the last moment, you just "Oh! You dropped the egg!" Splat.

Nobody cares about someone like me, because they don't know the frustration that you feel when you have the solution, but you do not have the problem.

I felt as a child that i related more to blue than my own name. I have a very powerful connection with that color. And it's always been extremely important to me. It's weird, I don't understand it myself, but there's certain blues - Jeep Wrangler makes a blue that will make me stop walking on the sidewalk, and just turn and stare at it.