I was the only guy, by the way, in the early '80s [who] was welcome on your show and Carson; usually, it was kind of-- that was-- there was a bit of a wall there. [...] If you were a Carson comic, you were probably not young enough or cool enough for Late Night. And vice-versa. But I for some reason was able to go back and forth, and I was always very proud of that, in the early days.

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I am completely obsessed. And the audience wants that; they pay for that. I don’t want to see someone who’s kind of into it. ... That’s what I care about. That’s all I care about. I don’t care what you do — I just want to see people and talk to people and be around people who are into it.

I don't remember when I saw the testing results, but it's really one of everyone's favorite things about [Seinfeld], is how poorly it was received by the network people. [...] My favorite thing in the testing is that the show was considered "contemporary, unusual, humorous, and appealing to young adults: therefore, not something that we would want". (laughs)

I don't know if the average person would like [being famous]. I really like it. I think it might surprise them that the advantages far outweigh the disadvantages. I think most people think of it as a problem, but it's all in how you look at it. But I do think that's the case, you get a lot more than it costs you in privacy invasion or whatever.

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